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<channel>
	<title>The Northern Virginia Review</title>
	<atom:link href="http://blogs.nvcc.edu/tnvr/feed/" rel="self" type="application/rss+xml" />
	<link>http://blogs.nvcc.edu/tnvr</link>
	<description>Produced by the faculty, staff, and alumni of Northern Virginia Community College and by residents of the Northern Virginia and greater Washington metropolitan areas</description>
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		<item>
		<title>The Thing Itself by Barbara Cully</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/26/the-thing-itself-by-barbara-cully/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-thing-itself-by-barbara-cully</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/26/the-thing-itself-by-barbara-cully/#comments</comments>
		<pubDate>Thu, 26 Apr 2012 22:32:49 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=540</guid>
		<description><![CDATA[The Thing Itself by Barbara Cully In any case, the idea of sleep, for long moments solid and specific, blocked off the thing itself. In the situation of the red poppies being there, and me desiring them, as if there was some depth I was looking for— sacramental as one knows it in the more selfless actions— the meaning of gift. Or following [...]]]></description>
			<content:encoded><![CDATA[<div>
<div>
<div>
<h1>The Thing Itself</h1>
<p>by <a href="http://jacklegpress.com/authors/barbaracully.html">Barbara Cully</a></p>
<div></div>
</div>
<div>
<p>In any case, the idea of sleep,</p>
<p>for long moments solid and specific,</p>
<p>blocked off the thing itself.</p>
<p>In the situation of the red poppies being there,</p>
<p>and me desiring them,</p>
<p>as if there was some depth I was looking for—</p>
<p>sacramental</p>
<p>as one knows it in the more selfless actions—</p>
<p>the meaning of <em>gift</em>.</p>
<p>Or following one’s gift (time like a lake breeze)</p>
<p>one morning in the sun.</p>
<p>I like the road because I sometimes see a peacock there.</p>
<p>Even though the river’s dry,</p>
<p>even though she said I have no tactics,</p>
<p>I have no parents, I have no armor,</p>
<p>in my dream</p>
<p>we marched away from a source of light</p>
<p>with masks on our feet.</p>
<p>When I heard the method of her attack,</p>
<p>I recalled</p>
<p>the octopus takes its prey below water                    and separates her</p>
<p>as one might part a head of hair into discrete sections.</p>
<p>I think, she went <em>through</em> this and can talk about it.</p>
<p>Something small and heavy falls out of that sleep.</p>
<p>She is not as devastated as I would be.</p>
<p>Except that when I feel for her I <em>am</em> her in a way.</p>
<p>Someone held me.</p>
<p>Close by a couple of weeks poured down like rain.</p>
<p>No one knows.</p>
<p>Are we the dancers?</p>
<p>Where the faces of the masks are in the mud,</p>
<p>we have tied</p>
<p>the strings into bows at our ankles.</p>
</div>
</div>
</div>
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		<title>The Forgotten Dialect Of The Heart by Jack Gilbert</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/25/the-forgotten-dialect-of-the-heart-by-jack-gilbert/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-forgotten-dialect-of-the-heart-by-jack-gilbert</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/25/the-forgotten-dialect-of-the-heart-by-jack-gilbert/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 00:10:51 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=538</guid>
		<description><![CDATA[The Forgotten Dialect Of The Heart by Jack Gilbert How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write, and the words get it all wrong. We say bread and it means according to which nation. French has [...]]]></description>
			<content:encoded><![CDATA[<h2>The Forgotten Dialect Of The Heart</h2>
<p>by <a href="http://www.poets.org/poet.php/prmPID/1275">Jack Gilbert</a></p>
<p>How astonishing it is that language can almost mean,<br />
and frightening that it does not quite. Love, we say,<br />
God, we say, Rome and Michiko, we write, and the words<br />
get it all wrong. We say bread and it means according<br />
to which nation. French has no word for home,<br />
and we have no word for strict pleasure. A people<br />
in northern India is dying out because their ancient<br />
tongue has no words for endearment. I dream of lost<br />
vocabularies that might express some of what<br />
we no longer can. Maybe the Etruscan texts would<br />
finally explain why the couples on their tombs<br />
are smiling. And maybe not. When the thousands<br />
of mysterious Sumerian tablets were translated,<br />
they seemed to be business records. But what if they<br />
are poems or psalms? My joy is the same as twelve<br />
Ethiopian goats standing silent in the morning light.<br />
O Lord, thou art slabs of salt and ingots of copper,<br />
as grand as ripe barley lithe under the wind&#8217;s labor.<br />
Her breasts are six white oxen loaded with bolts<br />
of long-fibered Egyptian cotton. My love is a hundred<br />
pitchers of honey. Shiploads of thuya are what<br />
my body wants to say to your body. Giraffes are this<br />
desire in the dark. Perhaps the spiral Minoan script<br />
is not laguage but a map. What we feel most has<br />
no name but amber, archers, cinnamon, horses, and birds.</p>
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		<title>The Hand by Mary Ruefle</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/23/the-hand-by-mary-ruefle/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-hand-by-mary-ruefle</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/23/the-hand-by-mary-ruefle/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 21:58:09 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=536</guid>
		<description><![CDATA[The Hand by Mary Ruefle The teacher asks a question. You know the answer, you suspect you are the only one in the classroom who knows the answer, because the person in question is yourself, and on that you are the greatest living authority, but you don’t raise your hand. You raise the top of [...]]]></description>
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<tbody>
<tr>
<td valign="top" width="80%">The Hand</td>
<td colspan="2" align="right" valign="top" nowrap="nowrap"></td>
</tr>
<tr>
<td colspan="3">by<a href="http://www.poetryfoundation.org/bio/mary-ruefle"> Mary Ruefle</a></td>
</tr>
<tr>
<td colspan="3"></td>
</tr>
<tr>
<td colspan="2" valign="top">
<pre>The teacher asks a question.
You know the answer, you suspect
you are the only one in the classroom
who knows the answer, because the person
in question is yourself, and on that
you are the greatest living authority,
but you don’t raise your hand.
You raise the top of your desk
and take out an apple.
You look out the window.
You don’t raise your hand and there is
some essential beauty in your fingers,
which aren’t even drumming, but lie
flat and peaceful.
The teacher repeats the question.
Outside the window, on an overhanging branch,
a robin is ruffling its feathers
and spring is in the air.</pre>
</td>
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</tbody>
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		<item>
		<title>Everything Good Between Men and Women by C.D.Wright</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/21/532/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=532</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/21/532/#comments</comments>
		<pubDate>Sat, 21 Apr 2012 23:56:23 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=532</guid>
		<description><![CDATA[Everything Good Between Men and Women By C. D. Wright has been written in mud and butter and barbecue sauce. The walls and the floors used to be gorgeous. The socks off-white and a near match. The quince with fire blight but we get two pints of jelly in the end. Long walks strengthen the [...]]]></description>
			<content:encoded><![CDATA[<div>Everything Good Between Men and Women</div>
<div></div>
<div>By <a href="http://www.poets.org/poet.php/prmPID/728">C. D. Wright</a></p>
<div></div>
<div>has been written in mud and butter</div>
<div>and barbecue sauce. The walls and</div>
<div>the floors used to be gorgeous.</div>
<div>The socks off-white and a near match.</div>
<div>The quince with fire blight</div>
<div>but we get two pints of jelly</div>
<div>in the end. Long walks strengthen</div>
<div>the back. You with a fever blister</div>
<div>and myself with a sty. Eyes</div>
<div>have we and we are forever prey</div>
<div>to each other’s teeth. The torrents</div>
<div>go over us. Thunder has not harmed</div>
<div>anyone we know. The river coursing</div>
<div>through us is dirty and deep. The left</div>
<div>hand protects the rhythm. Watch</div>
<div>your head. No fires should be</div>
<div>unattended. Especially when wind. Each</div>
<div>receives a free swiss army knife.</div>
<div>The first few tongues are clearly</div>
<div>preparatory. The impression</div>
<div>made by yours I carry to my grave. It is</div>
<div>just so sad so creepy so beautiful.</div>
<div>Bless it. We have so little time</div>
<div>to learn, so much&#8230; The river</div>
<div>courses dirty and deep. Cover the lettuce.</div>
<div>Call it a night. O soul. Flow on. Instead.</div>
</div>
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		<title>In a Country by Larry Levis</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/19/in-a-country-by-larry-levis/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=in-a-country-by-larry-levis</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/19/in-a-country-by-larry-levis/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 23:11:53 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=526</guid>
		<description><![CDATA[In a Country by Larry Levis My love and I are inventing a country, which we can already see taking shape, as if wheels were passing through yellow mud. But there is a prob- lem: if we put a river in the country, it will thaw and begin flooding. If we put the river on [...]]]></description>
			<content:encoded><![CDATA[<table width="100%" border="0" cellspacing="0" cellpadding="2">
<tbody>
<tr>
<td valign="top" width="80%">In a Country</td>
<td colspan="2" align="right" valign="top" nowrap="nowrap"></td>
</tr>
<tr>
<td colspan="3">by <a href="http://www.poetryfoundation.org/bio/larry-levis">Larry Levis</a></td>
</tr>
<tr>
<td colspan="3"></td>
</tr>
<tr>
<td colspan="2" valign="top">
<pre>My love and I are inventing a country, which we
can already see taking shape, as if wheels were
passing through yellow mud. But there is a prob-
lem: if we put a river in the country, it will thaw
and begin flooding. If we put the river on the bor-
der, there will be trouble. If we forget about the
river, there will be no way out. There is already a
sky over that country, waiting for clouds or smoke.
Birds have flown into it, too. Each evening more
trees fill with their eyes, and what they see we can
never erase.

One day it was snowing heavily, and again we were
lying in bed, watching our country: we could
make out the wide river for the first time, blue and
moving. We seemed to be getting closer; we saw
our wheel tracks leading into it and curving out
of sight behind us. It looked like the land we had
left, some smoke in the distance, but I wasn't sure.
There were birds calling. The creaking of our
wheels. And as we entered that country, it felt as if
someone was touching our bare shoulders, lightly,
for the last time.</pre>
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		<title>The Oldest Garden in the World by Elizabeth Willis</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/18/the-oldest-garden-in-the-world-by-elizabeth-willis/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-oldest-garden-in-the-world-by-elizabeth-willis</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/18/the-oldest-garden-in-the-world-by-elizabeth-willis/#comments</comments>
		<pubDate>Wed, 18 Apr 2012 16:47:34 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=524</guid>
		<description><![CDATA[The Oldest Garden in the World by Elizabeth Willis Something drives out from the fate I was hungry for. A body that fulfills its face carries into day what fades behind it. In Natural History Sophocles loved Asphodel, but Asphodel loved William Carlos Williams as hyacinth loved France, and honey loves a toothache. Is that [...]]]></description>
			<content:encoded><![CDATA[<p><strong>The Oldest Garden in the World</strong></p>
<p>by <a href="http://epc.buffalo.edu/authors/willis/">Elizabeth Willis</a></p>
<p>Something drives out<br />
from the fate I was hungry for.<br />
A body that fulfills its face<br />
carries into day<br />
what fades behind it.<br />
In <em>Natural History</em><br />
Sophocles loved<br />
Asphodel, but Asphodel<br />
loved William Carlos<br />
Williams as hyacinth<br />
loved France, and honey<br />
loves a toothache.<br />
Is that a crime<br />
or just a form of currency<br />
like big tobacco, moving on<br />
with shady radar<br />
over our greenery?</p>
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		<item>
		<title>Chaplinesque by Hart Crane</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/17/chaplinesque-by-hart-crane/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=chaplinesque-by-hart-crane</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/17/chaplinesque-by-hart-crane/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 23:12:40 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=520</guid>
		<description><![CDATA[Chaplinesque by Hart Crane We make our meek adjustments, Contented with such random consolations As the wind deposits In slithered and too ample pockets. For we can still love the world, who find A famished kitten on the step, and know Recesses for it from the fury of the street, Or warm torn elbow coverts. [...]]]></description>
			<content:encoded><![CDATA[<table width="100%" border="0" cellspacing="0" cellpadding="2">
<tbody>
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<td valign="top" width="80%">Chaplinesque</td>
<td colspan="2" align="right" valign="top" nowrap="nowrap"></td>
</tr>
<tr>
<td colspan="3">by <a href="http://www.poetryfoundation.org/bio/hart-crane">Hart Crane</a></td>
</tr>
<tr>
<td colspan="3"></td>
</tr>
<tr>
<td colspan="2" valign="top">
<pre>We make our meek adjustments,
Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.

For we can still love the world, who find
A famished kitten on the step, and know
Recesses for it from the fury of the street,
Or warm torn elbow coverts.

We will sidestep, and to the final smirk
Dally the doom of that inevitable thumb
That slowly chafes its puckered index toward us,
Facing the dull squint with what innocence
And what surprise!

And yet these fine collapses are not lies
More than the pirouettes of any pliant cane;
Our obsequies are, in a way, no enterprise.
We can evade you, and all else but the heart:
What blame to us if the heart live on.

The game enforces smirks; but we have seen
The moon in lonely alleys make
A grail of laughter of an empty ash can,
And through all sound of gaiety and quest
Have heard a kitten in the wilderness.</pre>
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		<title>The Power by Paul Farley</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/13/the-power-by-paul-farley/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-power-by-paul-farley</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/13/the-power-by-paul-farley/#comments</comments>
		<pubDate>Fri, 13 Apr 2012 12:22:02 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=517</guid>
		<description><![CDATA[The Power by Paul Farley &#160; Forget all of that end-of-the pier palm-reading stuff. Picture a seaside town in your head. Start from its salt-wrack-rotten smells and raise the lid of the world to change the light, then go as far as you want: the ornament of a promenade, the brilliant greys of gulls, the [...]]]></description>
			<content:encoded><![CDATA[<p><strong>The Power</strong></p>
<p>by <a href="http://www.lancs.ac.uk/fass/faculty/profiles/Paul-Farley/English/">Paul Farley</a></p>
<p>&nbsp;</p>
<p>Forget all of that end-of-the pier</p>
<p>palm-reading stuff. Picture a seaside town</p>
<p>in your head. Start from its salt-wrack-rotten smells</p>
<p>and raise the lid of the world to change the light,</p>
<p>then go as far as you want: the ornament</p>
<p>of a promenade, the brilliant greys of gulls,</p>
<p>the weak grip of a crane in the arcades</p>
<p>you&#8217;ve built, ballrooms to come alive at night,</p>
<p>then a million-starling roost, an opulent</p>
<p>crumbling like cake icing…</p>
<p>Now, bring it down</p>
<p>in the kind of fire that flows along ceilings,</p>
<p>that knows the spectral blues; that always starts</p>
<p>in donut fryers or boardwalk kindling</p>
<p>in the dead hour before dawn, that leaves pilings</p>
<p>marooned by mindless tides, that sends a plume</p>
<p>of black smoke high enough to stain the halls</p>
<p>of clouds. Now look around your tiny room</p>
<p>And tell me that you haven&#8217;t got the power.</p>
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		<title>Alcove by John Ashbery</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/12/alcove-by-john-ashbery-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=alcove-by-john-ashbery-2</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/12/alcove-by-john-ashbery-2/#comments</comments>
		<pubDate>Thu, 12 Apr 2012 19:03:15 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=515</guid>
		<description><![CDATA[Alcove by John Ashbery &#160; Is it possible that spring could be once more approaching? We forget each time what a mindless business it is, porous like sleep, adrift on the horizon, refusing to take sides, &#8220;mugwump of the final hour,&#8221; lest an agenda—horrors!—be imputed to it, and the whole point of its being spring [...]]]></description>
			<content:encoded><![CDATA[<p>Alcove</p>
<p>by <a href="http://www.poets.org/poet.php/prmPID/238">John Ashbery</a></p>
<p>&nbsp;</p>
<p>Is it possible that spring could be</p>
<p>once more approaching? We forget each time</p>
<p>what a mindless business it is, porous like sleep,</p>
<p>adrift on the horizon, refusing to take sides, &#8220;mugwump</p>
<p>of the final hour,&#8221; lest an agenda—horrors!—be imputed to it,</p>
<p>and the whole point of its being spring collapse</p>
<p>like a hole dug in sand. It&#8217;s breathy, though,</p>
<p>you have to say that for it.</p>
<p>And should further seasons coagulate</p>
<p>into years, like spilled, dried paint, why,</p>
<p>who&#8217;s to say we weren&#8217;t provident? We indeed</p>
<p>looked out for others as though they mattered, and they,</p>
<p>catching the spirit, came home with us, spent the night</p>
<p>in an alcove from which their breathing could be heard clearly.</p>
<p>But it&#8217;s not over yet. Terrible incidents happen</p>
<p>daily. That&#8217;s how we get around obstacles.</p>
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		<title>Ash Ode by Dean Young</title>
		<link>http://blogs.nvcc.edu/tnvr/2012/04/11/ash-ode-by-dean-young/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ash-ode-by-dean-young</link>
		<comments>http://blogs.nvcc.edu/tnvr/2012/04/11/ash-ode-by-dean-young/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 21:07:07 +0000</pubDate>
		<dc:creator>acchiles</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.nvcc.edu/tnvr/?p=509</guid>
		<description><![CDATA[Ash Ode by Dean Young When I saw you ahead I ran two blocks shouting your name then realizing it wasn’t you but some alarmed pretender, I went on running, shouting now into the sky, continuing your fame and luster. Since I've been incinerated, I've oft returned to this thought, that all things loved are [...]]]></description>
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<td valign="top" width="80%">Ash Ode</td>
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<td colspan="3">by <a href="http://www.poetryfoundation.org/bio/dean-young">Dean Young</a></td>
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<pre>When I saw you ahead I ran two blocks
shouting your name then realizing it wasn’t
you but some alarmed pretender, I went on
running, shouting now into the sky,
continuing your fame and luster. Since I've
been incinerated, I've oft returned to this thought,
that all things loved are pursued and never caught,
even as you slept beside me you were flying off.
At least what's never had can’t be lost, the sieve
of self stuck with just some larger chunks, jawbone,
wedding ring, a single repeated dream,
a lullaby in every elegy, descriptions
of the sea written in the desert, your broken
umbrella, me claiming I could fix it.</pre>
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