June 22nd, 2019 2-4PM Solo Art Reception: Steve Wanna, Sunhee Kim Jung

Summer exhibition solo receptions will be held on Saturday afternoon, June 22nd, 2019 from 2-4PM at the Rachel M. Schlesinger Concert Hall and Arts Center. The address is 4915 East Campus Drive, Alexandria, VA 22311 on the Northern Virginia Community College – Alexandria Campus.

The One: Work by Sunhee Kim Jung will be on display in the Passage and the Forum Gallery at the Rachel M.Schlesinger Concert Hall and Art Center.

Sunhee Kim Jung is a Korean-born American Artist. She is known as a painter of lush landscapes that express provocative ideas, beliefs, and feelings about life and death, loss and rebirth.

Jung earned her BFA in painting from Corcoran College of Art & Design and her MFA in painting from American University in Washington DC.  She is the Vice President of the US-Korea Arts Foundation in Washington D.C. whose mission as an organization is to introduce Korean culture and arts to America by working with the community, government, museums and international organizations.

 

The Eternity of an Instant: Mixed Media on Steve Wanna will be on display in the Margaret W. & Joseph L. Fisher Art Gallery.  Steve Wanna is a multi-disciplinary sound and visual artist whose work includes music, sound design for dance collaborations, sculpture, installation, photography, and works for mixed media. Born and raised in Lebanon, he immigrated to the United States with his family as a teenager, eventually receiving a doctorate in Music Composition from the University of Maryland in 2004. Wanna’s work is driven by his belief that under the right conditions, beauty can emerge without the need for direct intervention. He creates abstract, experimental fixed works and installations in a variety of mediums and formats that include sound, 2-D work, sculpture, video, and photography. His work is informed by the principle of emergence as defined in systems theory and Buddhism.

May 31st 11am – 12PM Coffee & Conversation with Norma Schwartz

You are invited to meet the Artist, Norma Schwartz this Friday Morning from 11am -1PM. You’ll have the opportunity to see her powerful exhibition, shape of memories, meet her and hear her discuss her work in this salon style event. Norma’s exhibition runs through June 9th.

Biography and Artist Statement

Norma Schwartz was born in Argentina at the end of the World War II and the atrocities of the event have been present throughout her life. After starting her practice as a psychoanalyst and raising a family, she emigrated to Spain in the 1970’s.  In Spain, she became involved in women’s issues from a psychoanalytic perspective and at the same time explored artistic languages of expressions. She moved to the United States in the mid 1990’s while keeping her practice as a psychoanalyst and pursing her new passion: sculpture.

“As a sculptor, developing techniques, exploring new materials, creating new ways of inhabiting a three-dimensional space, realizing the importance of light, gave me the opportunity to express what for me was impossible to express in a different language; a language with no words.

The teaching of psychoanalysis is also present in my work, and reflects, when naming each piece, a need to make a mark with a word that symbolized my curiosity and passion for the theoretical knowledge.

Artist Talk: Jonathan Ottke, May 23rd, 2019 6:30 – 8PM

Atist Talk with Jonathan Ottke: May 23rd, 2019: 6:30-8PM.

Jonathan Ottke lives by Lake Braddock in the Washington DC area where he took many of the photographs in this series. He has lived in many places including in Waldenbuch, Germany, Nairobi, Kenya and Vienna, Austria. His travels and his training as a biologist affect his art. He has exhibited in numerous exhibitions in the Washington DC region including Falls Church Arts, Art Enables, and Del Ray Gallery. He has an M.S. in Biology from George Mason University with a focus on environment microbiology and a B.S. in Fine Arts and German from the University of Virginia. “In a Drop of Water” is his first solo exhibition.

These series of photographs of water taken by Lake Braddock focus on the small often overlooked beauty that is in the details of nature. Raindrops falling on a leaf, a blooming flower after a rain, the frozen lake, are all the sources and materials of these photographs.

Jonathan takes inspiration from William Blake’s quote “see a world in a grain of sand and a heaven in a wild flower”.

“With my photography, I observe the world closely around me looking for the beauty in the everyday. I am especially interested in the spiritual implications of materials in art and the way we create the world every time we see it anew. I hope my photography gives people a timeless, universal feeling and shows the otherworldly in the everyday.”

May 4th, 2019 Gallery Reception for Norma Schwartz, Jonathan Ottke and Nataliya Gurshman

You are invited to join us Saturday afternoon for the gallery reception for three outstanding exhibitions at the Rachel M. Schlesinger Concert Hall and Arts Center. The artists will be present between 2 and 4pm to greet the guests and answers questions about their art work.

The shows are currently public and will run through June 9th, 2019.
Gallery Hours are Monday – Friday 10AM – 5PM

The exhibitions are as follows:

shape of memories: sculpture by Norma Schwartz
Margaret W. & Joseph L. Fisher Art Gallery

 

 

 

 

 

 

In a Drop of Water: Photographer by Jonathan Ottke
Passage Gallery

 

 

 

 

 

 

My Russian Soul: Paintings by Nataliya Gurshman
Forum Gallery

April 16th, 2019 6:30-8:30PM Confluence: Two Rivers, One City

During the last week of “Coming to Light, Encaustics by Angela White” and “NOMAD, The Art of Alonzo Davis“,  the Schlesinger Art Galleries is hosting a special public presentation of Confluence 2019, the DC region’s annual publication of critical writing on the visual arts on Tuesday evening from 6:30pm The speaker is Phil Hutinet, the publisher of East City Art.

CONFLUENCE: Two Rivers One City Public Presentation

 East City Art, DC’s visual arts publication of record, has released its second annual anthology of critical writing titled CONFLUENCE: Two Rivers One City.  The 30 essays of the anthology present some of East City Art’s most compelling writing and document the DC region’s most prominent influences on regional visual arts culture.

The title of the anthology alludes to the confluence of the Potomac and Anacostia rivers which flow through the region affectionately known as the “DMV” (DC, Maryland and Virginia).

CONFLUENCE 2019 offers insight into DC’s art world with in-depth critical writing and full color photographs of work by local, national and international artists displayed at regional galleries, museums and art spaces.

“The dedication of the East City Art writing staff to publish serious art criticism has never been stronger. Articles with ample discussion make ECA an alternative to the condensed and often superficial reviews offered elsewhere of gallery exhibits,” explains Editor-at-Large and Claudia Rousseau, Ph.D.

Publisher Phil Hutinet will present an overview of the reviews in CONFLUENCE 2019 while highlighting examples of work by local artists published in the anthology. During and after the presentation, audience members will have the opportunity to participate in the discussion and ask questions.

Speaker Biography

Phil Hutinet, a third generation Capitol Hill resident, is the publisher of East City Art, DC’s Visual Arts publication of record, which he began in 2010. In 2012-2013, his consultancy work east of the river yielded the Anacostia Playhouse, Craig Kraft Studios, the Anacostia Arts Center and the 2012-2013 LUMEN8ANACOSTIA festivals. In 2015, 2018 and 2019 he acted as the Gateway Open Studio Tour coordinator. From 2013-2018, he produced EMULSION, East City Art’s regional juried show and has produced over 150 local exhibitions in his career as a gallery owner and director. Currently, he oversees the ECA Foundation’s Critical Arts Writing and Research Program which produces an annual anthology titled CONFLUENCE: Two Rivers One City. Hutinet has been interviewed by or has made appearances on the BBC, Capital Community News, Euronews, Washingtonian Magazine, Washington City Paper, The Washington Post, WJLA ABC News Channel 7/Channel 8, WTOP and other local, national and international media.”

 

 

 

March 16th, 2019 2-4PM: Artist Receptions for Alonzo Davis and Angela White

We are very pleased to announce our early spring exhibitions and invite you to the opening receptions.  We will have two new solo exhibitions opening on March 9th, 2019,  Saturday afternoon 2-4PM.

NOMAD: The Art of Alonzo Davis
Forum Gallery and the Margaret W. & Joseph L.  Fisher Art Gallery
We pleased to present work from two of Alonzo Davis’s recent series, the Navigation Series and the Migrant Series. The Navigation Series is inspired by Alonzo’s long-time fascination with Micronesian navigation stick charts. Once used by the Marshall Islanders of Micronesia, the charts, studies of Pacific swell patterns and island locations, helped mariners navigate the waters in and around the region by canoe. The “Migrant Series” is a body of works that express our need for national and world concern of peoples having to leave their homeland because of inhumane conditions.The work in the series are approximately 14″w x 16″h x 5″d; each containing encaustic boats made of bamboo on a mixed media collage painting, with encaustic wax on board with burned and painted bamboo.

To learn more about Alonzo’s work, visit his About the Artist page.

COMING TO LIGHT: The Encaustics of Angela White
Passage Gallery
Angela White is a fine artist inspired by physical, spiritual and emotional memories that create the visual depth and density of her work. Abstracts and seascapes compose the majority of her compositions. Natural and sensual materials such as oils and encaustic paint allow the blending of edges to create visual depth. By superimposing layers of media, the varied themes and processes of her work are exposed.

To learn more about Angela, please visit her About the Artist Page.

February 13th, 2019 6 -8PM Artist Talk – Azadeh Sahraeian

You are invited to join us Wednesday evening, February 13th, 2019 from 6PM – 8PM for an engaging talk with the artist, Azadeh Sahraeian. Azadeh will be discussing the extraordinary abstract drawings in her Schlesinger Art Center solo exhibition, “Form and Formation” as well as her artistic process.

ARTIST STATEMENT

My artistic practice is more focused on the formation process rather than the form itself; hence, my drawings represent the process of genesis and growth; the lines grow from points that have been set on motion, as the plant grows from its seed. Each drawing begins with a single element, a “center”, and continues with duplication process in which strong centers evolve in levels of scale, pronounced boundaries and alternative repetition.

Azadeh Sahraeian

Emerging new centers continue till the whole drawing evolves. In this process there is a reciprocal insight between centers and the whole; as one finds ways to better understand the centers, the whole becomes better defined and the clarity of the whole makes centers more clear and yet they say more about the whole. Thus, my meticulous art works come along with a gradual formation in level of details. They are harmonious whole yet developed step-by-step; organic yet abstract; unpredictable yet mathematical; ordered yet chaotic; still yet fluxing. There is a continuous mutation in the process of emerging; an ongoing dialogue between formation and deformation in which my drawings unfold only a spectrum of it. As an architect and artist I like to create living things; not biologically alive but things that have a perceptible degree of life.

Observing natural and man-made patterns and complex systems enable me to define my method in art. Hence, instead of replicating finished forms that are already settled, whether as images in the mind or as objects in the world I’d rather follow the order of these natural and artificial structures in order to generate my artworks based on their properties and characteristics.


Please leave plenty of time to navigate DC traffic. There will be plenty of parking in the Visitors Garage.
Address is 4915 East Campus Drive Alexanria, VA 22311

 

 

January 19th, 2019 2-4PM Opening for Brian Dailey, Azadeh Saheraien and Reem Akked Dardari

The Schlesinger Forum galleries is pleased to present the two major projects by Brian Dailey in collaboration with the Photography and Media Department of Northern Virginia Community College. The first opening event for this exhibition is this Saturday at the Forum Galleries.

American in Color and WORDS by Brian Dailey

America in Color by Brian Dailey

Over the course of a two-year period, Brian Dailey traveled across the country with the objective of capturing individual portraits of the uncelebrated American electorate. He organized impromptu photo shoots with more than 1,200 citizens, including those with no interest in politics or voting. In the portraits, each individual expresses their personal identity casually in dress and pose, while their political identity is a chosen backdrop: blue for Democrat, red for Republican, grey for Independent, green for the Green Party and orange for those who do not vote. The resulting body of work, “America in Color” challenges our perceptions of the many components and individuals that shape the American political process.

Form and Formation by Azadeh Sahraeian

Azadeh Sahraeian

As an architect and artist I like to create living things; not biologically alive but things that have a perceptible degree of life. Observing natural and man-made patterns and complex systems enable me to define my method in art. Hence, instead of replicating finished forms that are already settled, whether as images in the mind or as objects in the world I’d rather follow the order of these natural and artificial structures in order to generate my artworks based on their properties and characteristics.

Syriana: Paintings by Reem Akkad Dardari

Reem Akkad Dardari

Syriana  is a series of very personal statements of intellectual and emotional reflections on the humanitarian catastrophe we now lightly call, the Syrian conflict. They vary in color, from the blue of the Mediterranean, swallowing thousands of unwanted refugees, to the grey of flattened cement and the rubble of deformed “skylines”. Unidentified figures of children frozen by fear, with a man weeping in silence.

December 12th, 2018 6-8PM Artist Talks with Travis Childers and Lisa Noble

We are very pleased to invite you to an evening of artists talks with Lisa Noble and Travis Childers next Wednesday evening December 12th, 2018 6-8pm. Lisa and Travis have distinct visions where they explore memory and our experience of the day to moment.

You can learn more about Travis Childers and Lisa Noble by visiting their About the Artists Page.

The address for the Schlesinger Center is 4915 East Campus Drive, Alexandria, VA 22311. There will be parking available in the Visitor Parking Garage right across the Circle from the Schlesinger Center.

November 17th, 2018 2-4PM Art Reception for Childers, Noble and Pinney

We are very pleased to announce the exhibition receptions and final solo exhibtions for 2018. You are invited to join us this Saturday November 17th, 2018 2-4PM for Travis Childers, Lisa Noble and Matthew Pinney.

 

Accumulations: Mixed Media works by Travis Childers is in the Fisher Art Gallery. Travis begins with everyday objects – newspaper clippings, staplers, pen tips and tops and transforms them into provocative objects that evoke the readymades of Duchamp and the process of the Dada movement of the 20th century.

 

 

 

Memories of Home: Paintings by Lisa Noble is in the Passage Gallery.  The interior in Lisa’s paintings are places of her past and personal history. They represent her efforts to visually map out the context of her childhood and early history.

 

 

 

 

The Secret Garden: Paintings by Matt Pinney is in the Forum Gallery. Matt Pinney is an assistant professor of studio art at the Northern Virginia Community College at the Manassas Campus.  Matt’s paintings employ personal myths, reinterpretations of history, and investigation of cultural assigned roles to creative narratives that are unbound by time.