November 17th, 2018 2-4PM Art Reception for Childers, Noble and Pinney

We are very pleased to announce the exhibition receptions and final solo exhibtions for 2019. You are invited to join us this Saturday November 17th, 2018 2-4PM for Travis Childers, Lisa Noble and Matthew Pinney.

 

Accumulations: Mixed Media works by Travis Childers is in the Fisher Art Gallery. Travis begins with everyday objects – newspaper clippings, staplers, pen tips and tops and transforms them into provocative objects that evoke the readymades of Duchamp and the process of the Dada movement of the 20th century.

 

 

 

Memories of Home: Paintings by Lisa Noble is in the Passage Gallery.  The interior in Lisa’s paintings are places of her past and personal history. They represent her efforts to visually map out the context of her childhood and early history.

 

 

 

 

The Secret Garden: Paintings by Matt Pinney is in the Forum Gallery. Matt Pinney is an assistant professor of studio art at the Northern Virginia Community College at the Manassas Campus.  Matt’s paintings employ personal myths, reinterpretations of history, and investigation of cultural assigned roles to creative narratives that are unbound by time.

Questions and Answers : A Profile with Saya Behnam

Saya BenhamSay Behnam’s solo exhibition of paintings, Capturing the Vibrant, Transient and Eternal NOW is on display through November 4, 2018. We will be hosting a demonstration of the process that Saya uses to create her paints from plants, flowers, spices as well as stones and minerals next Tuesday October 30 12am – 2PM in the Forum Gallery of the Schlesinger Arts Center.

Please learn more Saya’s process with the Q&A profile below and plan to join us next Tuesday afternoon – 12am -2PM.

  1. At what point in your life did you realize that you were an artist?

From 13 or 14 years old. When I got so happy when copied an image from a cover magazine with a cheap watercolor box I had. I resisted considering fine art as a profession till many years after. I thought that cannot be considered as a real job.

  1. Was there a particular teacher that influenced you during your studies?

I had a teacher at age 18 who as my father cousin. His character influenced me a lot.

  1. Are there art historical influences that are particularly important to you?

Yes- I always was so impressed by the colors of Persian rugs and Kilims and miniatures was wondering how they produced the natural colors.

  1. What is the starting point for your process?

For using natural colors: it was a total accident. One day drinking a hibiscus tea and by accident I split it on my white paper. I kept looking at the colors and how those were changing. I decided to give it a try at my studio . That was the starting point.

  1. You call your work co-creating with nature. Can you talk a little bit more about how you are co-creating with nature?

I believe all the colors I use are existing in even one flower or plant I use. I am just a transformer. Some one who knows how to take them out and arrange them on the paper. Most of the time when mix or apply the colors on the top of each other I get a new color that is not what it was before. I believe I am not the only creator of my work. It is already in the nature and we co-create it.

  1. Is there a particular color that speaks to you over other colors?

I am very attracted to shades of red to purple and blues.

7. When did you first start creating your own colors and what was your inspiration?

Since my work is abstract, my goal was how the colors I create compose, interact and work together as a whole.

  1. The surface that you are painting on with the natural colors feels important. Can you tell us more about the quality of the surface you paint on – i.e. the silk, cotton and handmade paper?

I realized natural colors prefer natural surface rather than chemically primed.

For example natural silk and cotton and paper are the best. I normally use them instead of primed canvas.

  1. Do other art forms such as literature or music influence you?

I love poetry. I do write poems from famous Persian poets  like Khayam, Hafiz and Rumi in my art  . Listening to music is a big part of my day. I daydream with it. I get inspiration, become happy, sad and calm.

  1. What advice would you give to a young artist that is just starting out?

If you feel art is a big part of your soul, don’t afraid going after it and follow it professionally. It won’t be easy, but since artists’ reward is internal you can hang out there even when you don’t get result immediately.

Thank you for your time and please see additional works from Saya at her website at https://www.sbehnam.com/

Questions and Answers with John D. Antone

John D. Antone’s solo exhibition, The Home Inside” runs through November 4th.

We pleased to announce that we are hosting a day time coffee and conversation next Monday, October 15th, 2018, 11am -12PM with John D. Antone. Please come out to meet him, view his works and join us in conversation.

Learn more about John tomorrow and plan to join us next Monday morning for a conversation with the Artists.

At what point during your life did you realize that you were an artist.?

Maybe artists are born….??

As I recall checking the “Art Major” box in my college application was the first commitment to being a “professional”  artist but much later and in reality rather recently, I realized my purpose in life is to be an artist.  Being an artist is related to curiosity in my opinion…..not a job.

How did your experiences at Virginia Commonwealth University and California Institute of the Arts impact your artistic development?

At VCU I decided to study “sculpture” because the Sculpture Department did not restrict sculpture to any working method.  Our critiques addressed:  concept, intent and effect.

At Cal Arts they talked about the audience….who is our audience?  This impressed me.  It did not mean commercial audience but who we imagined we wanted to present our work.

Times spent with other students was just as important as what happened in the classrooms. We were very lucky to be alive when there was such freedom.

  Was there a particular teacher that influenced you?

 Chuck Henry  -VCU

John Baldessari – California Institute of the Arts

Deborah Butterfeild – University of Wisconsin

Warren Moon – University of Wisconsin

Hardeu Keck – Rhode Island School of Design, Rome Campus, Italy

 How would you describe your creative process?

My creative process is something like play.

 What artistic movements inspire you? – They can be visual but also literary movements.

There is not a particular movement although I like art history a lot and literature is amazing. Art is an ancient language that repeats itself so I like to learn from the language of art.

One of my favorite authors is Samuel Beckett……

 

What is it about bronze that appeals to you creatively?

I like bronze because it is both a liquid and solid.

Describe the lost wax casting process?

  • The lost wax process is ancient.
  • Basically one makes a form in wax by direct or indirect means.
  • Then the wax model is placed in a mold.
  • It may be that the wax form need to be broken down into parts and reassembled later.
  • This mold with the wax model is heated and the wax evaporates.
  • Then melted bronze is heated and poured into the mold.
  • Then the mold is removed when bronze has cooled.
  • Parts are welded together.
  • Then the bronze is cleaned and made smooth to the touch.
  • Then color (patina) is applied to the finished bronze by heat and/or chemicals.

When are you working on an idea for a sculpture – how do you begin?

I begin with meditation.

What advice would you give to a young artist starting today?

I would say beware that art is dangerous and ask yourself: If you looked back on your life would you regret not doing what you love?

 

 

 

 

 

 

 

 

 

 

 

September 22, 2018 2-4PM Art Reception Antone, Behnam and Jarzynski

We are very excited about our Fall Visual Art Receptions and we are looking forward to seeing you this Saturday, September 22nd from 2-4PM.

We have three solo exhibitions where each artists has a distinctive response to the natural world.

Hibiscus flower tea, with ink on paper created a beatuiful variation of purple to blue and red colors, with writing in Farsi says: “I am”, “ I am alive”, “ I live”, and using gold leaves

Capturing the Vibrant, Transient and Eternal Now: Paintings by Saya Behnam 

In the Forum, we are welcoming Saya Behnam with her paintings made from natural colors and painted on silk and paper.

 

The Home Inside: Sculptures by John D. Antone.

In the Fisher Art Gallery,  John D. Antone will be showing is delicate and inspiring scupltures created in bronze and ebony.

 

The Inscape of my Landscape: Paintings by Teresa Jarzynski

In the Passage Gallery, we are so very excited to be showcasing the oil landscape paintings of Teresa Jarzynski. Influenced by Luminism and the work of Corot, the are a lovely tribute to the natural world.

Jenny the Wu – Bring your own Lunch and Learn!

Students, Teachers and Staff and the DMV art community
Thursday September 6, 2018 12:30PM -1:30PM
Lunch and Learn with the artist Jenny Wu

Margaret W. & Joseph L. Fisher Art Gallery
Rachel M. Schlesinger Concert Hall and Arts Center
Northern Virginia Community College – Alexandria Campus
4915 East Campus Drive
Alexandria VA 22311

A Sociology in Layers

Lunch and Learn with Jenny the Wu on her exhibit A SOCIOLOGY IN LAYERS at the Schlesinger Arts Center.

What do we mean when we call something Serious Play?

How do artists develop and come up with the ideas behind their work?

Grab a sandwich, and come down the hill to the Schlesinger Art Center and meet the artist Jenny the Wu.

Jenny Wu will be giving a behind the scenes – straight from the creative source talk about her and Michael Holt’s work in the interactive exhibit – A SOCIOLOGY IN LAYERS.

Biography

Jenny the Wu, like Winnie the Pooh, an artist and educator. She is the 2018 – 2020 Touchstone Foundation for the Arts Emerging Artist Fellow, and adjunct professor at American University and Marymount University.
Jenny Wu was born in Nanjing, China. She holds a B.A. from William Smith College in Studio Art as well as in Architectural Studies, and an M.F.A. in Studio Art from American University.

Her work has been exhibited in galleries and museums including Denise Bibro Fine Art, Katzen Museum, and Huntington Museum of Art. Wu has participated in numerous Artist-In-Residence programs across the country, and has been awarded fellowships from the Vermont Studio Center and the Pollock Krasner Foundation.”

Contact Information: Mary Welch Higgins
Gallery Director, Rachel M. Schlesinger Concert Hall and Arts Center
Email: mhiggins@nvcc.edu
Phone: 703.575.4705

Tangling Shadows by Joan Belmar

Thinking, Tangling Shadows by Pablo Neruda

Thinking, tangling shadows in the deep solitude.
You are far away too, oh farther than anyone.
Thinking, freeing birds, dissolving images,
burying lamps.

Belfry of fogs, how far away, up there!
Stifling laments, milling shadowy hopes,
taciturn miller, night falls on you face downward, far from the city.

Your presence is foreign, as strange to me as a thing.
I think, I explore great tracts of my life before you.
My life before anyone, my harsh life.
The shout facing the sea, among the rocks,
running free, mad, in the sea-spray.
The sad rage, the shout, the solitude of the sea.
Headlong, violent, stretched towards the sky.

You, woman, what were you there, what ray, what vane
of that immense fan? You were as far as you are now.
Fire in the forest! Burn in blue crosses.
Burn, burn, flame up, sparkle in trees of light.

It collapses, crackling. Fire. Fire.
And my soul dances, seared with curls of fire.
Who calls? What silence peopled with echoes?
Hour of nostalgia, hour of happiness, hour of solitude.
Hour that is mine from among them all!
Megaphone in which the wind passes singing.
Such a passion of weeping tied to my body.

Shaking of all the roots,
attack of all the waves!
My soul wandered, happy, sad, unending.

Thinking, burying lamps in the deep solitude.

Who are you, who are you?

Our current artium installation by Joan Belmar is inspired by the poem, Thinking Tangling Shadows by Pablo Neruda.

To learn more about Joan Belmar visit his about the artist page, follow him on Instagram at @JoanBelmar and visit his website at joanbelmar.com

The recording of Thinking, Tangling Shadows is voiced by Stephen Shetler.

August 4th, 2018 Opening Receptions 2-4PM – Wu, Holt, Button and Belmar

Summer Art Receptions for three new exhibitions will be help Saturday August 4th, 2018 2-4PM. In the Fisher Gallery, there is a two person exhibition, A Sociology in Layers: Selected Works by Jenny the Wu and Michael Patrick Holt. The Passage Gallery has a solo exhibition of collages and paintings by Linda Button titled Communion, An Exhibit of Egos and Ids. In the atrium, Tangling Shadows, A site specific installation, Tangling Shadows by Joan Belmar opens and will be on exhibit throughout the fall.

LInda Button
Jenny the Wu and Michael Patrick Holt
Joan Belmar, Site Specific Installation “Tangling Shadows”

The address for the Schlesinger Arts Center is 4915 East Campus Drive, Alexandria Va, 22311 on the Northern Virginia Community College Alexandria Campus. Parking is available.

Cyanotyped Sail by Katherine Akey

Katherine Akey’s solo exhibition “Behind the Silent Hills” runs through July 28, 2018. The summer hours for the gallery are 11-4PM. Monday – Friday and during public events on the weekend.

Katherine Akey: Behind the Silent Hills

” When I began to create work about the poles, I had to do just that: create. I had felt the burn of rope in my hands and the spray of saltwater on my face, but I had never heard the fizz and crackle of ice in the water or seen the emerald and lavender hues of snow in the dull arctic autumn. And so the sail was born — a labor of love and perseverance. I walked for miles in the snows of Long Island to gather it up, canvas and hemp, from an old marine depot. When I returned home I thought I had gotten bed bugs, but the spots covering my legs were just hives from the cold.”

“I wanted to create my own iceberg, but having never seen one in person what I created was this; cyanotype, the bright prussian blue of the 19th century, cracked and wrinkled and exposed in the hard spring sun. My interpretation of the berg, much like a medieval drawing of a lion, is a little clumsy and ill formed, with a funny snout and preposterous proportions. But what innocence is there in that malformed lion, drawn from a description passed from mouth to mouth from Africa to the Netherlands! What joy is there in the iceberg made in Long Island, born from the dreams passed from year to year in the sleep of a young woman. ”

The Sail – Installation Shot
Installation Shot of The Sail
Installation Shot
Installation Shot
Fisher Art Gallery Installation Shot

Artist Reception Saturday June 23, 2018 2-4PM

We will be holding three artists receptions on Saturday afternoon June 23rd 2-4PM.  Please plan to come and celebrate the summer solstice  with us.

Acquaetta Williams

In the Forum Gallery,  “Without Shadows” by Acquaetta Williams is an exhibition of her dynamic mixed media paintings. Her creative use of vinyl records in the work make the pieces jump of the wall.

 

Bryan Jernigan

In the Passage Gallery, “Peregination” Bryan Jernigan’s paintings are showcase of his explorations and journey through landscapes into abstraction.

 

 

 

Lee_KA_Sveabreen
Katherine Akey

In the Fisher Gallery, “Behind the Silent Hills  displays Katherine Akey’s poetic passion for exploration and the Arctic. Photographs of her trip to the Arctic are displayed with a cyanotype print completed before her Arctic trip.

The Schlesinger Arts Center is on the Alexandria campus of the Northern Virginia Community College. The address is 4915 East Campus Drive, Alexandria, Va 22311. Parking is available in the enclosed garage across from the center.

There will be live music at the opening, refreshments and a performance art piece.

Nine Dragons

Chen Rong. Nine Dragons (detail). 1244. Ink on paper. Boston Museum of Fine Arts.
Chen Rong. Nine Dragons (detail). 1244. Ink on paper. Boston Museum of Fine Arts.

Chee-Keong Kung – Notes on Nine Dragons

“For a long time now, I have been fascinated by Chen Rong’s Nine Dragons from the Southern Song dynasty (13th century). An exemplary work of technical virtuosity and ineffable grace. The brush-and-ink painting depict churning clouds, winds, and waves among jagged rocks while dragons mysteriously appear and disappear amidst the turmoil. Compositionally, there are large swaths of open space and dark shadows, recognizable elements and abstract shapes, and a sense of depth and movement through time. ”

“A small print-out of the painting (actual painting including inscriptions is 50 feet long) hangs on my studio wall as an inspiration and a reminder that the simplest of gestures can transport us to uncommon places. Most recently, I was looking for a way to start a new series of canvases and found that the light-and-dark patterns within the painting worked wonderfully as jumping-off points. The new canvases eventually became the black-and-white works that are currently in the Oblique Horizons exhibit at the Schlesinger Arts Center. ”


Oblique Horizons is on display through June 10, 2018 in the Fisher gallery . The gallery is open Monday through Friday 10-4PM and evenings and weekends during public performances in the wall. Chee-Keong Kung will be at the gallery Sunday May 20th, 2018 from 3-5PM. To find out more about Chee-Keong Kung, Please visit his About The Artist page.