November 17th, 2018 2-4PM Art Reception for Childers, Noble and Pinney

We are very pleased to announce the exhibition receptions and final solo exhibtions for 2018. You are invited to join us this Saturday November 17th, 2018 2-4PM for Travis Childers, Lisa Noble and Matthew Pinney.

 

Accumulations: Mixed Media works by Travis Childers is in the Fisher Art Gallery. Travis begins with everyday objects – newspaper clippings, staplers, pen tips and tops and transforms them into provocative objects that evoke the readymades of Duchamp and the process of the Dada movement of the 20th century.

 

 

 

Memories of Home: Paintings by Lisa Noble is in the Passage Gallery.  The interior in Lisa’s paintings are places of her past and personal history. They represent her efforts to visually map out the context of her childhood and early history.

 

 

 

 

The Secret Garden: Paintings by Matt Pinney is in the Forum Gallery. Matt Pinney is an assistant professor of studio art at the Northern Virginia Community College at the Manassas Campus.  Matt’s paintings employ personal myths, reinterpretations of history, and investigation of cultural assigned roles to creative narratives that are unbound by time.

Questions and Answers with John D. Antone

John D. Antone’s solo exhibition, The Home Inside” runs through November 4th.

We pleased to announce that we are hosting a day time coffee and conversation next Monday, October 15th, 2018, 11am -12PM with John D. Antone. Please come out to meet him, view his works and join us in conversation.

Learn more about John tomorrow and plan to join us next Monday morning for a conversation with the Artists.

At what point during your life did you realize that you were an artist.?

Maybe artists are born….??

As I recall checking the “Art Major” box in my college application was the first commitment to being a “professional”  artist but much later and in reality rather recently, I realized my purpose in life is to be an artist.  Being an artist is related to curiosity in my opinion…..not a job.

How did your experiences at Virginia Commonwealth University and California Institute of the Arts impact your artistic development?

At VCU I decided to study “sculpture” because the Sculpture Department did not restrict sculpture to any working method.  Our critiques addressed:  concept, intent and effect.

At Cal Arts they talked about the audience….who is our audience?  This impressed me.  It did not mean commercial audience but who we imagined we wanted to present our work.

Times spent with other students was just as important as what happened in the classrooms. We were very lucky to be alive when there was such freedom.

  Was there a particular teacher that influenced you?

 Chuck Henry  -VCU

John Baldessari – California Institute of the Arts

Deborah Butterfeild – University of Wisconsin

Warren Moon – University of Wisconsin

Hardeu Keck – Rhode Island School of Design, Rome Campus, Italy

 How would you describe your creative process?

My creative process is something like play.

 What artistic movements inspire you? – They can be visual but also literary movements.

There is not a particular movement although I like art history a lot and literature is amazing. Art is an ancient language that repeats itself so I like to learn from the language of art.

One of my favorite authors is Samuel Beckett……

 

What is it about bronze that appeals to you creatively?

I like bronze because it is both a liquid and solid.

Describe the lost wax casting process?

  • The lost wax process is ancient.
  • Basically one makes a form in wax by direct or indirect means.
  • Then the wax model is placed in a mold.
  • It may be that the wax form need to be broken down into parts and reassembled later.
  • This mold with the wax model is heated and the wax evaporates.
  • Then melted bronze is heated and poured into the mold.
  • Then the mold is removed when bronze has cooled.
  • Parts are welded together.
  • Then the bronze is cleaned and made smooth to the touch.
  • Then color (patina) is applied to the finished bronze by heat and/or chemicals.

When are you working on an idea for a sculpture – how do you begin?

I begin with meditation.

What advice would you give to a young artist starting today?

I would say beware that art is dangerous and ask yourself: If you looked back on your life would you regret not doing what you love?

 

 

 

 

 

 

 

 

 

 

 

September 22, 2018 2-4PM Art Reception Antone, Behnam and Jarzynski

We are very excited about our Fall Visual Art Receptions and we are looking forward to seeing you this Saturday, September 22nd from 2-4PM.

We have three solo exhibitions where each artists has a distinctive response to the natural world.

Hibiscus flower tea, with ink on paper created a beatuiful variation of purple to blue and red colors, with writing in Farsi says: “I am”, “ I am alive”, “ I live”, and using gold leaves

Capturing the Vibrant, Transient and Eternal Now: Paintings by Saya Behnam 

In the Forum, we are welcoming Saya Behnam with her paintings made from natural colors and painted on silk and paper.

 

The Home Inside: Sculptures by John D. Antone.

In the Fisher Art Gallery,  John D. Antone will be showing is delicate and inspiring scupltures created in bronze and ebony.

 

The Inscape of my Landscape: Paintings by Teresa Jarzynski

In the Passage Gallery, we are so very excited to be showcasing the oil landscape paintings of Teresa Jarzynski. Influenced by Luminism and the work of Corot, the are a lovely tribute to the natural world.

Tangling Shadows by Joan Belmar

Thinking, Tangling Shadows by Pablo Neruda

Thinking, tangling shadows in the deep solitude.
You are far away too, oh farther than anyone.
Thinking, freeing birds, dissolving images,
burying lamps.

Belfry of fogs, how far away, up there!
Stifling laments, milling shadowy hopes,
taciturn miller, night falls on you face downward, far from the city.

Your presence is foreign, as strange to me as a thing.
I think, I explore great tracts of my life before you.
My life before anyone, my harsh life.
The shout facing the sea, among the rocks,
running free, mad, in the sea-spray.
The sad rage, the shout, the solitude of the sea.
Headlong, violent, stretched towards the sky.

You, woman, what were you there, what ray, what vane
of that immense fan? You were as far as you are now.
Fire in the forest! Burn in blue crosses.
Burn, burn, flame up, sparkle in trees of light.

It collapses, crackling. Fire. Fire.
And my soul dances, seared with curls of fire.
Who calls? What silence peopled with echoes?
Hour of nostalgia, hour of happiness, hour of solitude.
Hour that is mine from among them all!
Megaphone in which the wind passes singing.
Such a passion of weeping tied to my body.

Shaking of all the roots,
attack of all the waves!
My soul wandered, happy, sad, unending.

Thinking, burying lamps in the deep solitude.

Who are you, who are you?

Our current artium installation by Joan Belmar is inspired by the poem, Thinking Tangling Shadows by Pablo Neruda.

To learn more about Joan Belmar visit his about the artist page, follow him on Instagram at @JoanBelmar and visit his website at joanbelmar.com

The recording of Thinking, Tangling Shadows is voiced by Stephen Shetler.