At The Workhouse Arts Center: McGuireWoods, W-16 2nd Floor
Beyond is a exhibition collaboration featuring artwork submissions from first and second year art students at both, Northern Virginia Community College and George Mason University.
This year’s exhibition was hosted by The Workhouse Arts Center in Lorton, VA. and takes place in the second floor, McGuireWoods Gallery.
Sarah Berry, the Exhibitions Manager and Rachel Kizielewicz, Interim President and CEO of the Workhouse Arts Center, welcomed everyone to this year’s reception.
The exhibition showcases art that considers play, experimentation, freedom from boundaries, initiates new narratives and transforms artistic experience.
The exhibition was organized by George Mason’s 2-D and 3-D Foundations Faculty Rachel Dubuque and NOVA Alexandria’s 3-D Professor Jessica Gardner.
Our combined exhibition would not be complete without hearing from Rick Davis, Dean of George Mason University’s College of Visual and PerformingArts and Jay Steere, Dean of the Liberals Arts at the Alexandria Campus of Northern Virginia Community. They both spoke of the robust character of our fine arts programs and the extraordinary artwork and creative ability of all our students.
Beyond was juried by Joesph Orzal, creative director of NoMüNoMü. The NoMüNoMü website, explains that Orzal, “is a Filipino-Mexican American painter, sculptor, chess player and writer active in DC, Atlanta, New York, and Toronto. His Works, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting usually explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in Western societies, and their inevitable if unnameable tensions.”
As juror, Joseph picked the final art and determined the winning selections for the awards ceremony which took place the the reception on April 13th.
Everyone was very excited to be able to come to stage and say a few words about their winning artwork.
And the winners are:
First Place: Alexandra Benson, A Tapestry of Plastic Waste (Mason)
Second Place: River Temple, Kadın Düşmanlığı (Mason)
Third Place: Noah Covington, Biblical Angel Rendition (NOVA)
Dean’s Award *Sponsored by Rick Davis, George Mason University’s College of Visual and PerformingArts Dean
Fetun Getachew, Market Color (NOVA)
Singularity Award Winner
Director’s Award for Best in Show *Sponsored by Zoë Charlton,George Mason University’s School of Art, Director
Music was provided by the NOVA Alexandria Jazz Combo Band featuring Oliver Coudert on guitar, Jamie Jackson on bass, and Kurt Steinbacher on drums. The Music was wonderful and everyone had a phenomenal time!
The exhibition is on view from March 30 – April 28, 2024 at The Workhouse Arts Center: McGuireWoods, Building 16 (W-16), 2nd Floor.
It’s our favorite time of year in the Fine Art Department. This is when students get to publicly shine! Each year we mount our Fine Art Student Show and enjoy having an incredible exhibition and receptions for students, their family and friends along with college faculty and staff. Each year we have a juror come in and pick the artistic endeavors for the exhibition. This year, our juror is Mary Proenza.
Mary is an Associate Professor of Art at Marymount University in Arlington, VA. She earned a BA in literature at UC Santa Barbara’s College of Creative Studies, an MFA in painting at New York Studio School, and an MFA in creative writing at The New School. In 2022, she was part of an NEA Arts Project grant, creating four linoleum cut prints in collaboration with writer Jervey Tervalon, published in a letterpress book from Kalamazoo Book Arts Center. She’s currently working on a graphic memoir, which has been supported by a 2022 Mid-Atlantic Arts Fellowship at the Virginia Center for Creative Arts and by a 2020 Mednick Fellowship from the Virginia Foundation of Independent Colleges. An illustrated story from the project was published in Rosebud magazine, and she has published written reviews in Art in America and The Brooklyn Rail. Recent exhibitions include “Cladogram” at Katonah Museum of Art and “One in a Year” at the Painting Center, NYC.
As always, the students begin to congregate and enjoy all of the exceptional work and this year we have so many wonderful entries!
The students are very supportive of one another and it’s also an exciting way to meet fellow art students and see their work.
Our reception is a perfect opportunity for students to talk about their work and enjoy their pride.
Stacy Slaten, (right), our 2-D lead faculty organized the show and reached out to Mary, a decision we are all thrilled about. Mary is not only a wonderful artist she also holds a lot of experience with jurying shows and working with students, over at Marymount University.
Family and friends began to arrive and soon we have a wonderful gathering for our awards ceremony! Mary was kind enough to point out that every student who made it in is exceptionally talented and that the works here are very strong.
We had multiple awards to bestow. Rory Rossenbaum received an honorable mention for her beautiful portrait.
Rory’s drawing emits a delicate elegance. Her lighter values and tonal range take advantage of the value of the paper itself.
Kira Wharton was given an honorable mention for her “Armchair” drawing.
Mary loved the warmth and welcoming character of this room. It really feels like home. The fabric of the chair is soft and begs the viewer to sit.
Caroline Haggerty received an honorable mention for her 3-D vase, “Vase Gogh.”
A phenomenal pun, and full visual play on words, “Vase Gogh” brings together the physicality of the vase and her wonderfully energetic surface painting, inspired by Van Gogh. The additional 3-d flower pulls in Van Gogh love of flowers and fully incorporates his starry night pallet.
Ibtisam Shuaib received her honorable mention for “The Writers Block.”
“The Writer’s Block,” shows the grappling between the pen in hand and the blank page. Something most of us can relate to.
Soon came time to announce the top three winners of this year’s show.
And now for our top three winners of this years Fine Art Student Show… drum roll please…
Our third place winner this year is Kiara Quinto, for her wonderfully colorful work, “Skull and Kermit”
Mary was kind enough to discuss Kiara’s mastery of color and the delicacy of her technique.
The layering of overlapping colorful strokes allows this work to glow. It’s a fun combination of elements that one would not usually see together. Somehow Kiara makes the skull and kermit appear as friends.
Our second place winner is Miguel Vargas.
Mary explained, how much she enjoys Migues’ self portrait “Painstaking Joy,” The title and drawing perfectly express the creative experience.
The flying clocks represent, just how much time it takes to do a drawing well and Miguel’s focus to his pencil expresses his love of creative tenacity as painstaking joy.
Our final and 1st place winner is Jennifer Wessmiller. Her 3-D sculpture titled “Grief.” powerfully describes the multifaceted experience of grieving.
Mary was moved by the analogy of a tree and how each limb and leaf represents the variety of different feelings that one traverses during the process of grieving. We grow through grief and we change from it. This work shows great depth of communication and comprehension of the grieving process. It’s poignant and full of journey, both for her and the viewer. We read through each worded petal.
The 2024 Fine Art Student Show Reception at the AFA Gallery on the Alexandria Campus of Northern Virginia Community College. Photo by Britt Conley. February 21, 2024After the ceremony students had the pleasure of meeting with Mary and asking her questions.
Families proudly gathered together for photos and students enjoyed their night of shinning. They deserve feeling the pride of doing great work.
Many had the opportunity to discuss their work and the journey of creating it.
Learning that ones creative endeavors are appreciated and impactful for others is always a thrill. Finding out you’ve won recognition is icing on the cake.
As always, its a night to remember and the first of many more art openings for our budding artists!
Our NOVA students are talented, smart and on their way to great futures.
Nick Spencer, one of our graphics faculty enjoyed meeting with Mary as well. Many of our students are shared between Fine Art and Graphic Design. Stacy Slaten, (center), is thrilled with how well the show is going and how exciting it’s been for the students. A well deserved moment after months of hard work to make this night possible.
The students love it.
This show also brought the opportunity for students to learn how to mat and frame their work. Many of them are planning to do more and enter those works in more exhibitions.
Our students accomplished a great deal between getting through all of their classes and propelling their artistic processes along the way. These things take time and are incredibly rewarding.
Watching our students creative efforts is always exciting. We can’t wait to hear about their next shows! Now that they can mat and frame, they can begin to show their art in new venues.
The 2024 Fine Art Student Show Reception at the AFA Gallery on the Alexandria Campus of Northern Virginia Community College. Photo by Britt Conley. February 21, 2024A wonderful time was had by all!
A special thanks to all of the families and friends who came to support our amazingly talented students and honor their achievements! A big round of applause to all who made it into this year’s show!
And special thanks to Mary Proenza for all of her time, wonderful choices and for taking the time to talk about each student winner’s work! It’s a joy to work with her and to see a great juror in action!
Also thanks to Professor Stacy Slaten, our 2-D Fine Arts lead faculty for organizing and heading the show! Stacy is thrilled to have worked with many of the students and to see everyone’s creativity! She wanted everyone to know that, “seeing your artwork polished and displayed beautifully is a joy as well as bearing witness to the growth and achievement of the past year, culminating in this annual exhibition. It is also a pleasure to see your friends, family, and peers come together to likewise celebrate this accomplishment”
Artist Catherine White came to NOVA Alexandria ceramics department on October 19th for a wonderful day of workshops and an evening artist talk. During the day, Catherine demonstrated decorating clay slabs and how to create thrown and altered work.
The students enjoyed hours of being able to listen to her creative process and seeing her work. It was a wonderful learning experience!
Catherine White’s Workshop at Northern Virginia Community College’s Alexandria Campus on October 19th, 2023. Photo by Britt Conley.Catherine, weaves together throwing and hand-building irregularities that intentionally reveal the touch of the hand. She collects, and poetically uses diverse raw materials in her anagama and gas-fired kiln in Warrenton, VA. Clay work is intertwined with extensive drawing, painting and collaging.
Catherine’s Artist Statement explains, “Seeking a poetic language of material, shape and surface, White’s plates, bowls, cups and vases abstractly refer to the landscape through the raw materials she collects and transforms by considered manipulations of clay bodies and firing effects. Each piece has markings and irregularities that intentionally reveal the touch of the artist’s hand. One recent focus on multiple series of landscape plates reveals a painterly transformation of shadow and contour—specific layerings of atmosphere, terrain and light. Clay processes are also intertwined with extensive drawing, painting, and collaging on paper.”
White has an MFA in ceramics, studied painting in Aix-en-provence, France and taught ceramics for many years at the Corcoran College of Art and Design in Washington D.C. She has had a commission for state gifts from President Obama and Michell Obama and is represented in both the Renwick and the Sackler Galleries of the Smithsonian. She also is has written for multiple publications in addition to writing about her own work.
On Display at the Alexandria Campus AFA Gallery from September 18th-October 11th (Extended to end of October).
Debra Wright’s current body of work reflects her deep commitment to social justice, human rights and the pursuit of personal identity. Utilizing found objects as her primary medium, Debra’s concepts convey commentary on social issues while encouraging introspection and community engagement.
Debra arrived on September 20th, to work with our students and produce a pair of wings, created from the names of many persons who have been killed by police across the nation. Her artistic vision shines a spotlight on various communities and current issues within them.
Debra explains, “I create compositions that are simple in form and yet profusely conceptual. Incorporating provocative objects into my work elicits a dramatic initial response that in turn, opens up a safe space for deeper looking. This gap provides a point of entry to address controversial topics and compel important conversations we need to be having with one another.” Debra Wright.
“Flight” is currently on display in the AFA foyer.
The reception offered the opportunity for students to ask questions about Debra’s creative process, work, and what it means to be an activist artist.
Freedom House Exhibition shows the works of NOVA Alexandria Painting Students at Freedom House of Alexandria
Our painting students and the staff and historians of Freedom House of Alexandria collaborated on creating portraits of significant African American community members to examine the African American experience in Alexandria from the 18th century to present day. The Freedom House which was once part of the headquarters for the largest domestic slave trading firm in the United States and now serves as a site of consciousness to ponder a part of our history that is complex and conflicting. We did this to honor prominent African Americans who provided significant contributions to civil liberties and social justice in the United States from the eighteenth century to the present day. Determined will showcase the tremendous courage and accomplishments of Alexandria’s African Americans.
The exhibition, Determined in Alexandria, examines our history and includes artifacts, student portraits, historical information, and statements from the students about what their participation meant to them. The exhibition has been on display for the past two years of a three-year minimum exhibition.
The initiative to partner students with the Freedom House was led by Professor Stacy Slaten, who teaches art at the Alexandria campus, along with former Dean Jimmie McClellan, in collaboration with Freedom House historian Apasrin Suvanasai and curator Michele Longo.
Professor Slaten explains, “The Freedom House project has provided a valuable teaching tool for real-world experience for NOVA’s emerging artist’s and a platform for course discourse on diversity, equity, and inclusion…We are re-writing our future by examining the past.”
The museum sets the scene of Black experience in Alexandria by beginning with Alexandria’s history:
“As a port city, Alexandria had ties to both the transatlantic and domestic slave trades. When European settlers arrived, they used enslaved labor to clear the land that would become Alexandria. Within the city, enslaved men, women, and children labored in warehouses, businesses, and homes. Plantations surrounding the city used enslaved labor for growing tobacco and, later, wheat for flour production. By the end of the 18th century, Alexandria was among the ten busiest ports in the U.S., profiting from exports created using enslaved labor.” (The Freedom House Museum).
The portraits that the students created are oil and acrylic on stretched canvas, with most using a palate knife technique, as opposed to a brush. “That technique,” Professor Slaten explained, “gives the paintings a more contemporary look than most traditional museum portraits by leaving the texture of the mark.”
As a project of the painting class, these painting were not only about drawing and painting in a painterly fashion, but also learning how to create skin tones and color compliments. The students collaborated extensively with historian Apasrin Suvanasai to reference historical documents such as newspapers, written accounts, and photos or prints spanning back to the 1800’s. The students had to discuss skin tones, mix color palettes, and invent the details and colors from the historical accounts or from their perceived imagination if we did not know. Considering the complexities of all the nuanced knowledge the students had to learn, they managed to do it very well, despite being constrained to classes via Zoom during the pandemic.
Professor Stacy Slaten painted one of the portraits to use as teaching example. She took the portrait that had the least amount of information and created an image based off the limited knowledge that Lawrence Day was a part of the group dubbed the Secret Seven by the FBI. No other facts were available. She gave him a persona that reflected a type of secret agent or James Bond reference. She did this to model and demonstrate the process and as an example. Prof. Slaten considers the communal creative projects as part of her professional practice as an artist to effect change in the community. It also lends an experiential learning component to the studio classroom, enhancing student outcomes by engaging the student as a whole person. The student then engages in a real-world problem in the safety of the educational setting.
Everyone did a wonderful job managing the artistic process and learning experience which was impacted by the challenges of the pandemic. Everyone had to create and complete these paintings on zoom instead of being in person!
Lawrence Day (1911 – 2000)
“First Black Magistrate for the City of Alexandria, 1972; Charter member of the Departmental Progressive Club; Member of the Hopkins House Board” (The Freedom House Museum).
Prof. Stacy Slaten reflects on her artistic experience:
Lawrence Day was a part of a group known as “The Secret Seven” dubbed by the FBI. While this group had profound civic influence through sociopolitical activities, not much historical record exists for Lawrence’s clandestine political engagement. It made me think about the service of people unknown, who may impact our lives in ways we will never know. I wanted to give him an air of mystique, with a sense of humor and intelligent gaze, a debonair man so to say.”
In addition, the Freedom House used to house a trading firm that trafficked thousands of Black men, women, and children from 1828-1861. It was converted to a museum dedicated to honoring and understanding “the lives and experiences of enslaved and free Black people who lived in and were trafficked through Alexandria.”
“Determined showcases the tremendous courage and accomplishments of Alexandria’s African Americans,” said Professor Slaten. “We hope that by highlighting the past through these portraits and addressing past trauma, we change the future.”
There are many more display gems within this exhibit that help Illustrate the achievements of these historic Alexandria residents and their impact on countless lives, neighborhoods, and the City of Alexandria. Below are just a portion of the exhibit experience for those featured.
“Black Americans built the foundations of our country while they were fighting for citizenship and rights. Despite enslavement, institutional racism, oppression, and injustice, members of Alexandria’s African American community succeeded in the building families and a network whose legacy shaped today’s City of Alexandria” (The Freedom House Museum).
Their stories can be seen and read, while highlighted in this exhibit, through the coming year.
Throughout the exhibit amazing Americans who fought to make change are visually remembered by paintings from Northern Virginia Community College students.
Eudora N. Lyles 1918- 2000
The exhibit displays Eudora’s efforts toward fair and equal housing in historically black neighborhoods. The Freedom House explains, “After witnessing her parents lose their home to eminent domain, local activist Eudora Lyles made fair housing her life’s mission.”
Student Artist Caitlyn Raymond writes, that Eudora was, “Gentle but resilient. In my painting I wanted her skin tone to be warm to show the gentleness, but I layered it with bold purples to show an authority about her. This piece was 97% done using a pallet knife technique. I feel that the rough texture represents hardships but looking at it all as one piece shows the beauty and uniqueness that comes from it.”
Other 1950s civil rights icons, include some of the following men who were part of The Secret Seven, “who collectively tackled segregation and racial injustice within the city during the 1950s and 1960’s. They used their positions as politicians, church officials, business owners, and civic leaders to strategically improve opportunities in housing, jobs, and education for the African American community” (The Freedom House Museum).
The Exhibit also celebrates more of those who served the community at large.
Dominick Barecroft 1762-1830,
Dominick, “…was the first African American shopkeeper in Alexandria. His success allowed him to purchase his wife Esther’s freedom in 1804. By 1818, he purchased property at 315 Cameron Street for use as his tavern and growing family’s home” (The Freedom House Museum).
Student Artist, Nicole Mullings-Pettus, who painted the portrait of Mr. Barecroft, shared reflections on her process, “I had to learn a lot about Dominick Barecroft before I could even know where to start painting his likeness. There are no paintings of him from his time. I only had a written description…. After learning his history and hearing nothing but greatness, I saw Dominick as a Black man that overcame his obstacles and achieved his dreams. I wanted to paint him in his prime years to showcase his dignity and his pride.”
The Emancipation Tree
“Mary S. Peake, 1823-1862, became the first African American paid to teach those who came to Fort Monroe to escape slavery” (The Freedom House Museum).
The museum explains, Peak’s teaching was done under what became known as The Emancipation Tree. Here, children of freed men were taught by day and adults during the evening. It was in this very space, under the tree’s canopy that former slaves were able to be present for the reading of President Lincoln’s Emancipation proclamation.
Student artist, Marwah Ashna, reflects on the Emancipation Oak tree at Hampton University: “One of the greatest pieces of African American history lives with us today, The Emancipation Oak tree. Born from a single seed and now it stands 16 feet around with a 100-foot-wide canopy that soars 50 feet. I find it as the perfect symbol of freedom, strength, and beauty…. This tree is not only an attention grabber, but it is a reminder to my Black brothers and sisters of their freedom: the freedom of speech, and opportunity.”
Dr. Albert Johnson 1866-1949
Another determined Alexandria Citizen was Dr. Albert Johnson, who, “was the first African American physician to practice in Alexandria. segregation prevented him from seeing patients at the hospital. Instead, he opened a private practice in his home in 1894” (The Freedom House Museum).
Student artist and painter, Jerusalem Amdemichael reflects on her painting process, “I decided to paint Dr. Albert Johnson because he looked like he could be an uncle of mine… it was great to show respect and pay homage to these people who played a great role locally and throughout the rest of the society. To have this exhibit to show how African Americans helped move society forward is important because what they do is often overshadowed. I feel honored to help highlight Dr. Johnson’s importance to this community and the success he achieved during a time where it was difficult.”
F.H.M Murray 1859-1950.
Anna Lee, another of our student artists, who also created an original painting for this exhibition expounds on F.H.M. Murray, as “an intellectual, civil rights activist and journalist in Washington, D.C. and Alexandria, VA,” who, “was active in promoting Black homeownership, opposing Jim Crow laws and lynching. He supported positive representation of African Americans in public art. He was an art historian active in the early 20th century who published a series of works on African Americans portrayed in art. Freeman Murray was a forgotten pioneer for civil justice.”
Reverend Andrew W. Adkins 1884-1963,
“Reverend Andrew W. Adkins led the Alfred Street Baptist Church for 43 years (1920-1963). Not only a pastor, Rev. Adkins was also a teacher at Parker-Gray School, the first coeducational school for African American children in Alexandria” (The Freedom House Museum).
Student Artist Sue Williams reflects on how he inspired her portrait of him: “He has very considerate and discerning eyes…. Seeing from the black and white picture, I could only imagine what it would have been like to be pastor where there are limited resources available yet required him his time and wisdom to do his calling. I felt certain compassion in my heart and respect although I never knew about him.”
You can read more on Reverend Adkins and on his legacy within the educational community within the exhibition tour.
Annie B. Rose 1893-1989
“Rose’s activism saved the historic 19th century Alfred Street Baptist Church building and led to the creation of the Alexandria Society for the Preservation of Black Heritage” (The Freedom House Museum).
Student artist, Rose Bridwell, effuses, “Annie Beatrice Bailey-Rose was a strong Black woman with courage and compassion to do all that she could to make a white supremacist world a better place. She is described as a ‘gentle, self- effacing woman of deep religious conviction and bone deep conviction to social justice.’ She used her voice, education, talents, money, and time to speak for those who needed her voice…. I humbly pledged to her a commitment to stop complaining about racism and start taking ACTIONS to help those who need my voice and gifts.”
Thanks to the Alexandria Black History Museum, the exhibit shows more of Annie’s life, including her typewriter, an image of Annie sharing the history of, what is now The Freedom House Museum and more detailed information about her impact within the community.
Ferdinand T. Day (1918 – 2015),
Ferdinand Day was the “first black Chairperson for the Alexandria School Board; Member of the Hopkins House Board and Chairman of the Durant Civic Associations Housing Committee” (The Freedom House Museum). Painting by Lucia Lecce.
Father John Davis (1907 –1990),
John Davis was Pastor of Meade Memorial Episcopal Church, 1959-1971.
Artist, James Davenport speaks about his process: “This was my first time using the pallet knife and with that came challenges, but also a personality in its technique. In deciding what colors to use there was a balance, looking at tone from a black and white image and extrapolating from there. The colors would need to come close to representing a life like skin, but remain faithful to the original image… I feel fortunate to be able to take part in the preservation of Father John Davis’s image.”
Melvin Miller (1931 – 2015).
Melvin was a, “civil rights lawyer from 1958-1962; President of the Alexandria chapter of the NAACP and Urban League; Member of Alexandria School Board from 1986-1993” (The Freedom House Museum).
Artist Nicole Mullings-Pettus reflects on her work saying, “I feel that this painting best describes Mr. Miller’s character. He was a man that used his knowledge to help others out of hard situations and with that he spread joy and hope within his community, and I feel that the yellow and his humble smile reflects that.”
Nelson Greene Sr. (1914 –2014),
Nelson Green was the “Funeral Director of Greene Funeral Home; Member of Board of Commissioners of the Alexandria Redevelopment and Housing Authority from 1966-1969; Served on board of Alexandria Chamber of Commerce; Served on Alexandria City Council from 1979-1982; Taught at Parker- Gray School” (The Freedom House).
Col. Marion Johnson (1915-1998)
Marion Johnson was the President of the Seminary Civic Association, Vice President of Alexandria Council on Human Relations, Vice Chairman of Minority Housing Sub-committee, Treasurer of Alexandria Federation of Civic Association, and member of multiple civic associations, including Alexandria Citizen Advisory committee and the Durant Civic Association.
Edward Patterson (1909 – 1979)
“Music teacher and Assistant Principal of Parker-Gray High School; Principal of Parker- Gray Middle School; Director of staff relations and student activities for Alexandria City Public Schools; Member of many Alexandria civic organizations, including the Seminary Civic Association, the NAACP, and the Northern Virginia Urban League Advisory Board” (The Freedom House).
Arthur C. Dawkins 1935-Present
Student Artist Anna Lee writes, “From modest beginnings, he worked his way to the top of his profession as an educator, a teacher, and a free-lance jazz musician. Along the way, he successfully negotiated the transition from segregation to integration, and pointed out the way for others to follow. He will be remembered for touching individuals more than advocating before groups because that is the way that he worked–one individual, one student at a time, and without ever drawing attention to himself.”
In his capacity as a freelance musician, Arthur, “broke racial barriers while performing for the National Symphony Orchestra and the Smithsonian Jazz Masterworks Orchestra. He taught, mentored, and performed at Howard, and through D.C., for over 30 years” (The Freedom House).
How to see the exhibit:
The Freedom House is located at 1315 Duke St, Alexandria, VA 22314. (703) 746-4702
Timed entry will be every 15 minutes during our hours of operations: Thursday & Friday 11 a.m. – 4 p.m., Saturday 11 a.m. – 5 p.m., Sunday & Monday 1 – 5 p.m.
Tickets are currently available through the Alexandria Shop.
As a reminder – if you are a City of Alexandria resident – you automatically receive free admission!
Thank you for your support in creating the “Determined Alexandria” portion of our exhibit at the Freedom House Museum.
NOVA Student Participants:
Fiza Batool, Jerusalem Amdemichael, Eliana Harvey, Soon Young Williams, Rose Bridwell, Anna Lee, Marwah Ashna, Debbie Robison, Lucia Lecce, Nicole Mullings-Pettus, Hatta Omar, James Davenport, Caitlyn Raymond—— with Prof. Stacy Slaten.
Our 2023 Alexandria Fine Art Student Juried Show was organized by Jessica Gardner, our 3-D instructor. She chose Russ Mcintosh to be our juror. Throughout his artistic career, Russ, has exhibited around the country. He formerly ran the Arlington Arts Gallery and has been a graphic designer for over 25 years.
His current company, Vision Idea Design helps small entrepreneurs in the small business community achieve their goals. In recent years, he has hosted the SatARtday Artist Showcase which features young artists. He also hails as a NOVA alumni!
This year’s 2023 Fine Art Student Show, exemplified the exceptionalism of our NOVA student’s talents, creative endeavors and passion for art. I noticed this year offered a trend toward visual storytelling, featuring relationships between people, concepts, things and re-imagining them in wonderful new ways.
Julia Marques created a playful 3-d work titled Relaja La Raja. She incorporated children’s toys and wood to create a 3-D chair representing ideas of early life and growing up. If you get a chance to visit the gallery, check out the chair leg collections of toys!
Zee Blair created this epically gestured ode to Michelle Nichols who portrayed Uhura in Star Trek. Nichols has been an inspiration to many women over the decades. The artwork is titled, “Curiosity.” The glove represents her hand reaching out to the galaxies.
Another poignant and bold trend in this show is the art of the painted portrait. Our art students provided a variety of creative approaches, from stylized to realism. Each portrait is bold, unique and intriguing! (L-R) Pensive by Jennifer Wessmiller, Self Portrait by Julia Marques and Self Portrait by Lilian Tulloss.
The first artwork alcove, predominantly features women portraits and the stories they tell. Sarah Barakat painted numerous works on women. Her work, “Sisters,” says so much to anyone who has sisterly relationships. Yet each person is likely to have a different interpretation to the work depending on our backgrounds. It’s an example of what we the viewer brings to our experience with art.
“Portrait Knife Calligraphy” (below) by Raghad Elbardicy, helps us think about cultures, women, life, opportunities and togetherness. There are so many ways to interpret the artwork. Out of the grey, the pop of colors draw us immediately into each woman’s world.
Two artists created paintings featuring a pomegranate. Nicole LaVallee’s Pomegranate visualizes an intriguing surrealistic storyline that uses on and off the canvas elements. We are given much to consider during our evaluation of potential meaning. I personally love the physical surface of the work. The sky provides a rich, landscaped space where life is seemingly possible. The color divide between the world at large and the inner world of subject matter is both delineated and connected by a single black ribbon on the left-hand side of the canvas. The ribbon itself circles the entire canvas, acting as both frame and wrapper of the creative effort itself.
Art Tucker’s Pomegranate is technically exceptional. She beautifully handles water soluble oils. Not an easy feat. The piece exudes color as though it’s the very juice of the picture plane.
(Below), The message of Kirsten Ponticelli’s “How’d You Vote?” is clear. It’s a simple question provided within a direct, visual context. This one piece illustrates our ongoing societal debate at large countered against a visual of America’s unified student experience today.
We had one portrait of a man, titled, “Random Man Portrait” by Kiara Quinto. Kiara expertly handled the graphite and charcoal to create a work that prompts the view to consider the drawing process itself.
Every year I look forward to seeing our 3-D student submissions. They are always highly creative, with ideas that are beautifully brought to fruition. One of my personal favorites this year is “Whale?” by James Davenport.
“Whale?” is a ceramic work featuring the body of a whale with the face of a hippo. The land/sea package beautifully evokes nature at large.
James’ other work, “Triangles” was constructed from various triangularly-created clay shapes. The unexpected countering of a natural and green living subject against the variety of greens seen in the glazing of the man-made ceramic piece allows us to enjoy multiple aspects of contrasting visual elements. The well-potted opening bring our eyes into an alluded rocky crevice. Our eyes are then led along the tendril growth path, ever reaching, outward and into the world.
This year’s show had so many wonderful 3-D works. Susan Edgington paired two lovely dark ceramic works, “Dark Twist,” on the left and on the right, Sentinel,”
Brendan Curley’s, “Worship Box” is made of foam core, plasti-dip, acrylic and wax. The form is modern, austere and yet, with the use of candles dripping down upon the form the box has a human touch to it.
Mona Toukan’s “Left Hand” wonderfully hold’s a delicate flower.
The submissions this year are so creative! Mona also created this wonderful Teapot.
On entering the gallery, Tuvshinbayar Zeveg’s “Mongolian Eagle” powerfully greets visitors to the gallery.
These four charcoal works illustrate the variety and individuality of potential approaches to the the medium. (L to R) Vinh Ly’s “Glass and Paints”; Fran Alexander’s “Water and Glass”; Giuseppe DeLuca’s “Kitchen and Bath”; and Caroline Haggerty;s “Dirty Dishes.”
It’s always a joy to see how how much time students spend on their creations! Fran Alexanders, “Water and Glass” exemplifies the beauty of working with a slow layered approach.
Dirty Dishes is also a wonderfully creative work. The assignment incorporates putting kitchen items in inappropriate places. The bathroom fits this to a T!
Kirsten Ponticelli’s 3-D relief work, titled “Made with Love, Trash” is full of color, texture and story . She incorporated found items into a swirled galaxy of visual delight. The more one looks, the more interesting items one finds!
`The reception offered a wonderful evening to learn more about art and our student artists.
Before we knew it, it was time to announce this year’s winners of the 2023 Show! Russ addressed our gallery attendees with an overview of the show and impressed he was with all of the students efforts and the quality of the art.
Our third place winner is Kirsten Ponticelli. Her work (below), “How’d You Vote?” is a clear, simple question providing a direct, visual context. This one piece illustrates our ongoing societal debate at large countered against a visual of America’s unified student experience today.
Our 2nd Place winner is Art Tucker for her work “Overconsumption” Art has several works in the exhibition, each using different mediums.
Nicole LaVallee, our first prize winner was wonderfully surprised!
Nicole won for her beautiful work, “Pomegranate”. I’ve described how much this work has to offer the mind of the viewer (above). The work is so stylistically deliberative. The design is integral to the constructed path for our eye movement and the storyline itself.
Russ spoke of what he loved about her work and how powerful the piece is. He was greatly informative and our students are so appreciative.
We at the NOVA Alexandria campus would like to give big Congratulations to our three winners and to ALL of the students who applied to this year’s show! We have so much talent in our midst! All the students have much to celebrate!
Vinh Ly and our 2-D program teacher, Stacy Slaten at the opening reception of the Juried Exhibition at the Alexandria Campus of Northern Virginia Community College on April 13th, 2023. Photo by Britt Conley
It was a great night for all and it is no nice to see all the families and friends who come to support everyone.
Along our long wall we have a section for line works. (L-R Below) Ambria Everett’s, “Still Life Contour”
and Kira Wharton’s “Left Foot Front.” Both are graphite works using contour line with a variety of line widths which help the mind see infer three dimensional depth.
(Left, below) Lilian Tulloss uses line and graphic elements to show, “Henry Savage’s Cat.” On the right is Karen Wallace’s, “Modern Mansion,” a wonderfully successful perspective work.
Another lovely graphite work is Samantha Seubert’s “Luna with a Pearl Earring.” I just love the idea of incorporating animals into art history!
Thanks to all who came to this year’s opening reception and a special thanks to our Provost, Dr. Annette Haggray, our Liberal Arts Dean, Dr. Jimmie McClellan, Associate Dean Lynette Garret and our division angel, May Kim for all their support!
For those considering applying to next year’s show. Anything you make for one of our fine art classes, drawing, fundamentals of design, or painting, from this semester to next Spring, may be submitted to next year’s juried show!
On March 29th we were lucky enough to have curator Christine Fowler Shearer come and speak with our students about how the curation world works. She showed us some of her recent exhibitions and discussed the artistic, legal, financial and timeline logistics of putting on a comprehensive exhibition as well as issues related to working and maintaining a traveling exhibition.
Christine runs an arts curatorial consultancy business offering exhibition development, collections research, critical essay writing and catalog design and printing for institutional exhibitions and traveling exhibitions.
Christine’s current curatorial show is titled Mirror Mirror. The exhibition, on view at The University of Mary Washington Galleries, will be on view from March 30 through April 28 in Ridderhof Martin Gallery, with the opening reception taking place on March 30 from 5 to 7 p.m. Private tours run May 1 through June 4. Featured artists include Erin Holscher Almazan (printmaking), Alicia Brown (painting), Jessica Calderwood (ceramics), Kristen Cliffel (ceramics), Rebecca Cross (textiles), Jessica Gardner (ceramics), Marcella Hackbardt (photography), Mabi Ponce de Leon (mixed media), Bellamy Printz (printmaking), Stephanie Rond (mixed media), Margo Selski (painting) and Babette Wainwright (ceramics).
Margaret Boozer is the Founder and Director of Red Dirt Studio, an artist incubator in Mt. Rainier, MD, and Co-Director and founding member of NY Urban Soil Institute’s Art Extension Service. Over the years, her studio practice of digging native clays has led to collaborations with soil scientists and work that explore intersections of art and science.
Margaret came to speak with our ceramics students about her studio and about clay, it’s color, it’s function and out of the box creating.
“Red Dirt Studio is a warehouse studio and incubator for a small group of independently practicing artists and creative professionals, from fresh out of school to nationally known. We share resources, offer critical feedback and push each other toward greater professionalism in our work. It’s a space for projects, community exchange and radical imagination.”
One of the wonderful aspects of Margaret’s job, working with scientists as Director at the Art Extension Service to the NYC Urban Soils Institute. She is also passionate about found clay in situ and using various clay colorings as palette within her artistic creations. Digging it up and bringing it back to the studio allows her to add geographic storylines to her creative process.
For more information on Margarette visit: http://www.margaretboozer.com/
“I think of these pieces as textile paintings–I’m drawing with fabric and thread to create my own artistic statement.” Cindy Grisdela.
A visual feast, this show is exciting and colorfully, powerful! Even while initially hanging the exhibition, people were knocking on the window, asking to come in and take a look. It’s been very well attended!
Cindy masterfully uses abstraction with form, color and thread to create new experiences that unfold while viewing within varying distances. The closer one gets, the more visually chewable, the works become.
The colors first grab the distance viewer. The forms then entice a visual journey that is a intentionally lead via directional threads, both literally and figuratively.
The forms are then enjoyed via the threading that provides varying treats to the eye.
The swirls, mazes and bubbling of the threaded fabric offer dynamic motion, even when the eye is at rest within any one area.
In her blog, she states,”
“One thing I’d like to convey with these pieces is that my art is concerned with color, line and shape, just like any other art who works in paint or another two dimensional medium.”
“My medium is fabric and thread, and there’s a reason I choose to create that way. The opportunity to add texture and dimension to my compositions with stitching lines is unique to textile art, and it’s that tactile component that drew me to the medium and keeps me excited about going into the studio each day.”
“I do all my own stitching–sometimes with freehand motifs and sometimes with straight or wavy lines, depending on what the composition seems to need. There’s no computer program that does that part for me and I enjoy feeling the texture coming to life under my fingers as I stitch.”
So much thought goes into each piece.. At the opening Cindy explained the mental work takes the longest time. This if followed by the physical configurations. Once they are complete, the stitching can being.
Even the novice viewer can see the slow and steady care and attention to detail of her cleanly laid out stitching. The precision is exquisite.
“If you are going to do something, you should do it well.” she explained to attendees. It’s true and quality from this care makes the works highly memorable.
My personal favorite work is 3 Friends: 67″ x 80″ to 12″
The three main center panels can be construed a variety of ways. To me, on first glance they have a boat-like motif with seemingly tall sails. It immediately reminded me of traveling adventures with friends. The beautiful nuance lighter, background colorings are like a sea. On second look, the motifs took shape as chairs, with legs that widen below. They feel like the steady and firm foundations that lifelong friends have to offer. The adventures are a-fixed a top of that grounding. Cindy told us how much she enjoys every viewer finding their own meaning and how it can be enlightening.
I also really love Aquarius.
Although her works are open in design along the external edges and tend not to have a border, this piece wonderfully shows the exceptionally configured dynamic entry and exits the eye travels through. In art we often are taught to either give our boarders an end point or put the subject mater within the central part of the piece so that our eye circles with the center areas and thus does not lead off the page.
Cindy, however, does this while also doing the opposite. The yellows and greens along the top and bottom capture our brains first.. they are vividly saturated and light. Our brain’s enter here and are thrust toward the center by not only contrasting black pathways but also the stitching of them. All roads lead to what looks like DNA.
Cindy told us the story of her first show in High School, where she coincidently won $5, for her artwork of a double helix. The other wonderful surprising aspect of the piece are the offsetting of left and right desaturated neutral areas that move into lighter bluish whites that work as backlit glass. Although the eye goes here first, the center design pushes forward and we arrive clearly on the subject matter that is fish like and has a character all to itself.
Overall, the show is also calming and provides a surprisingly active zen. The mark of a phenomenal mental artistry. Perhaps it the repetition and unity of the stitching or the rhythm of the line work that is never equidistant but full of human origin and voice. Perhaps its the areas where ones eyes can rest and yet still have a full meal to visually enjoy.
Of course the artist knows… the artist always knows how they want to imbue their work and how to send us on our experiential journey.
Cindy Grisdela is a Contemporary quilting artist, teacher and author of Artful Improv: Explore Color Recipes, Building Blocks & Free Motion Quilting, as well as her new book, Adventures in Improv Quilts: Master Color, Design & Construction. She has a BA in Fine Arts from the College of William and Mary and an MBA from George Washington University.
This years NOVA/MASON show was a huge success! Our collective arts foundations students, who are Foundations level students (Freshmen or Sophomore) currently enrolled NOVA and Mason students. showed us how exceptionally talented they are!
This exhibition explores the dual challenges faced by Foundation Level art students: learning about a new medium and honing their craft within the structure of the class assignment. Innovation celebrates those works that expand on, push the boundaries of, and go beyond those in class assignments. Whether in craft, design, or concept, developing technical skills and an artistic voice is not an easy task. Innovation is an exhibition dedicated to the students working on building their skills and finding new approaches. All works exhibiting personal growth or an innovated approach to classroom work will be considered
There are a variety of positive aspects to bringing our students together in one exhibition. NOVA students get to see the level of art by their student colleagues at Mason and learn about the arts program from them and their professors as well. Often Mason students are prior NOVA students and having alumni return to see their friends is rewarding for all!
Each year the exhibition toggles between NOVA and George Mason. This coming year everyone working to have the exhibition in a professional arts venue to help provide an extraordinary learning experience for how galleries work and provide a broader community experience and access to seeing everyone’s art!
This year’s Juror is Babette Pendleton, the current exhibition and programming curator at George Washington’s Corcoran School of Art & Design in DC who also teaches within the Curatorial Practice program at MICA. She holds a BFA in Dance & Choreography from Cornish College of the Arts, and an MFA in Curatorial Practice from Maryland Institute College of Art (MICA) with a minor in Critical Theory.
Experimentation, intentionality, and collaboration are central aspects of Babette Pendleton’s multidisciplinary work as an artist, curator-producer, and researcher. Her national and international curatorial work manifests in forms of collective and collaborative organizing, project management, visionary and strategic consulting, and exhibition/performance producing. Babette is the director of Yellow Fish, a durational performance art festival which aims to bring awareness to the significance and study of time through cultural practices and artistic mediums, while facilitating community involvement in historical and contemporary thought surrounding Durational Performance. Notable past work includes, director and founder of the Pendleton House—a twenty-five person interdisciplinary art collective; director of the experimental gallery space, New Tomorrow; and producer and project Manager for Sarah Cameron Sunde’s global series, A Durational Performance with the Sea. She most recently worked as a consultant with Robert W. Deutsch Foundation in Baltimore, MD and Coffey Street in Brooklyn, NY. Her current research focuses on reconfiguring contractual agreements inside collecting and commissioning initiatives with specific emphasis on putting care practice and performance methodologies at the forefront of contract law. Babette
The works she chose are inspirational and often tell a personal story or stories of others or experience itself.
This year’s show is headed by Jessica Gardener and Brian Davis. Jessica head’s our NOVA Alexandria Ceramic’s and 3-D Arts program and Brian, teaches New Media and Sculpture at George Washington University and George Mason University.
The reception was offered time for students and families to dive deeply into our student’s intentioned-artwork.
School shows are often the first experience our young students have with exhibiting to the public.
The rewards are immediate, as art-goers have a huge appreciation for technique and process.
It’s also a wonderful moment for our artists to explain their work to others.
Before long it was time for Jessica to gather everyone together to begin the awards ceremony. First, our Provost, Dr. Annette Haggray was kind enough to give a wonderfully inspiring thank you to all of the students, for their creativity, confidence and talents.
Babette spoke about all of the works and the extra-ordinary creative ways the students went beyond the classroom assignments and used highly innovative creative thought.
First award of the night was our Honorable Mention , which went to MJ Gomez-Salazar! Congratulations!
Our Third Place Winner, Ian Dermott! Congratulations!
Brian Davis, 3-D professor at George Mason, proudly took pictures of all of the winners! It’s a rewarding moment!
Our Second Place winner went Faani Tabrizi Nezhaad’s. She could not be there but her family was!
Our first Place winner’s award went to Pasindu Weeramunda! Congratulations!
Finally, Congratulations to our People’s Choice winner, Ryan Funkhouser!
Students from all of our arts came in to see the works and learn from them!
Dr. Nicole Munday, Associate Dean for the Social Sciences, enjoying Vicente Figueroa’s Artwork.
Vicente Figueroa discussing her artistic Book artwork.
Jessica takes a picture of Robbyn Smith and her incredible artwork: Barking Mad Blue.
It’s an exciting show and everyone really enjoyed the works and meeting other students!
Sofia Vazquez-Espada enjoyed explaining her work : Color is a Concept.
Students enjoying Ariana Barbery-Cornejo’s work: Perception Features.
Rachel McGrath and Bethany Davis’ photographic images were wonderfully well recieved.
Yesenia Garcia in front of her lovely piece: Izanami.
A special thanks go out to Brian and Babette for ALL their hard work and creativity in making this show happen.
Stacy Slaten, the head of our 2-D Department proudly enjoying the student work from her and others classes.