August 8th 6-8PM Artist Talk with Sunhee Kim Jung

You are invited to join us on Thursday evening August 8th from 6 to 8PM for an engaging and enlightening talk with the Artist Sunhee Kim Jung. Feel free to come out early to avoid traffic. Jung will discuss the two series: The Sanctuary Series in the Passage Gallery  and the Camouflage series in the large and spacious Forum Gallery.

This is Sunhee’s 12th solo exhibition of her artistic career which spans three decades. In both of the series, Sunhee uses figures over whelmed by landscapes to address sacrifice, loss and alienation. The paintings while visually accessible and intriguing also lead us to ask personal questions about our views of the subject matter.

Please come to the artist talk to meet the artist and experience her solo exhibition. Please visit Sunhee’s About the Artist page to learn more about her and this exhibit.

June 22nd, 2019 2-4PM Solo Art Reception: Steve Wanna, Sunhee Kim Jung

Summer exhibition solo receptions will be held on Saturday afternoon, June 22nd, 2019 from 2-4PM at the Rachel M. Schlesinger Concert Hall and Arts Center. The address is 4915 East Campus Drive, Alexandria, VA 22311 on the Northern Virginia Community College – Alexandria Campus.

The One: Work by Sunhee Kim Jung will be on display in the Passage and the Forum Gallery at the Rachel M.Schlesinger Concert Hall and Art Center.

Sunhee Kim Jung is a Korean-born American Artist. She is known as a painter of lush landscapes that express provocative ideas, beliefs, and feelings about life and death, loss and rebirth.

Jung earned her BFA in painting from Corcoran College of Art & Design and her MFA in painting from American University in Washington DC.  She is the Vice President of the US-Korea Arts Foundation in Washington D.C. whose mission as an organization is to introduce Korean culture and arts to America by working with the community, government, museums and international organizations.

 

The Eternity of an Instant: Mixed Media on Steve Wanna will be on display in the Margaret W. & Joseph L. Fisher Art Gallery.  Steve Wanna is a multi-disciplinary sound and visual artist whose work includes music, sound design for dance collaborations, sculpture, installation, photography, and works for mixed media. Born and raised in Lebanon, he immigrated to the United States with his family as a teenager, eventually receiving a doctorate in Music Composition from the University of Maryland in 2004. Wanna’s work is driven by his belief that under the right conditions, beauty can emerge without the need for direct intervention. He creates abstract, experimental fixed works and installations in a variety of mediums and formats that include sound, 2-D work, sculpture, video, and photography. His work is informed by the principle of emergence as defined in systems theory and Buddhism.

February 13th, 2019 6 -8PM Artist Talk – Azadeh Sahraeian

You are invited to join us Wednesday evening, February 13th, 2019 from 6PM – 8PM for an engaging talk with the artist, Azadeh Sahraeian. Azadeh will be discussing the extraordinary abstract drawings in her Schlesinger Art Center solo exhibition, “Form and Formation” as well as her artistic process.

ARTIST STATEMENT

My artistic practice is more focused on the formation process rather than the form itself; hence, my drawings represent the process of genesis and growth; the lines grow from points that have been set on motion, as the plant grows from its seed. Each drawing begins with a single element, a “center”, and continues with duplication process in which strong centers evolve in levels of scale, pronounced boundaries and alternative repetition.

Azadeh Sahraeian

Emerging new centers continue till the whole drawing evolves. In this process there is a reciprocal insight between centers and the whole; as one finds ways to better understand the centers, the whole becomes better defined and the clarity of the whole makes centers more clear and yet they say more about the whole. Thus, my meticulous art works come along with a gradual formation in level of details. They are harmonious whole yet developed step-by-step; organic yet abstract; unpredictable yet mathematical; ordered yet chaotic; still yet fluxing. There is a continuous mutation in the process of emerging; an ongoing dialogue between formation and deformation in which my drawings unfold only a spectrum of it. As an architect and artist I like to create living things; not biologically alive but things that have a perceptible degree of life.

Observing natural and man-made patterns and complex systems enable me to define my method in art. Hence, instead of replicating finished forms that are already settled, whether as images in the mind or as objects in the world I’d rather follow the order of these natural and artificial structures in order to generate my artworks based on their properties and characteristics.


Please leave plenty of time to navigate DC traffic. There will be plenty of parking in the Visitors Garage.
Address is 4915 East Campus Drive Alexanria, VA 22311

 

 

Questions and Answers : A Profile with Saya Behnam

Saya BenhamSay Behnam’s solo exhibition of paintings, Capturing the Vibrant, Transient and Eternal NOW is on display through November 4, 2018. We will be hosting a demonstration of the process that Saya uses to create her paints from plants, flowers, spices as well as stones and minerals next Tuesday October 30 12am – 2PM in the Forum Gallery of the Schlesinger Arts Center.

Please learn more Saya’s process with the Q&A profile below and plan to join us next Tuesday afternoon – 12am -2PM.

  1. At what point in your life did you realize that you were an artist?

From 13 or 14 years old. When I got so happy when copied an image from a cover magazine with a cheap watercolor box I had. I resisted considering fine art as a profession till many years after. I thought that cannot be considered as a real job.

  1. Was there a particular teacher that influenced you during your studies?

I had a teacher at age 18 who as my father cousin. His character influenced me a lot.

  1. Are there art historical influences that are particularly important to you?

Yes- I always was so impressed by the colors of Persian rugs and Kilims and miniatures was wondering how they produced the natural colors.

  1. What is the starting point for your process?

For using natural colors: it was a total accident. One day drinking a hibiscus tea and by accident I split it on my white paper. I kept looking at the colors and how those were changing. I decided to give it a try at my studio . That was the starting point.

  1. You call your work co-creating with nature. Can you talk a little bit more about how you are co-creating with nature?

I believe all the colors I use are existing in even one flower or plant I use. I am just a transformer. Some one who knows how to take them out and arrange them on the paper. Most of the time when mix or apply the colors on the top of each other I get a new color that is not what it was before. I believe I am not the only creator of my work. It is already in the nature and we co-create it.

  1. Is there a particular color that speaks to you over other colors?

I am very attracted to shades of red to purple and blues.

7. When did you first start creating your own colors and what was your inspiration?

Since my work is abstract, my goal was how the colors I create compose, interact and work together as a whole.

  1. The surface that you are painting on with the natural colors feels important. Can you tell us more about the quality of the surface you paint on – i.e. the silk, cotton and handmade paper?

I realized natural colors prefer natural surface rather than chemically primed.

For example natural silk and cotton and paper are the best. I normally use them instead of primed canvas.

  1. Do other art forms such as literature or music influence you?

I love poetry. I do write poems from famous Persian poets  like Khayam, Hafiz and Rumi in my art  . Listening to music is a big part of my day. I daydream with it. I get inspiration, become happy, sad and calm.

  1. What advice would you give to a young artist that is just starting out?

If you feel art is a big part of your soul, don’t afraid going after it and follow it professionally. It won’t be easy, but since artists’ reward is internal you can hang out there even when you don’t get result immediately.

Thank you for your time and please see additional works from Saya at her website at https://www.sbehnam.com/

Questions and Answers with John D. Antone

John D. Antone’s solo exhibition, The Home Inside” runs through November 4th.

We pleased to announce that we are hosting a day time coffee and conversation next Monday, October 15th, 2018, 11am -12PM with John D. Antone. Please come out to meet him, view his works and join us in conversation.

Learn more about John tomorrow and plan to join us next Monday morning for a conversation with the Artists.

At what point during your life did you realize that you were an artist.?

Maybe artists are born….??

As I recall checking the “Art Major” box in my college application was the first commitment to being a “professional”  artist but much later and in reality rather recently, I realized my purpose in life is to be an artist.  Being an artist is related to curiosity in my opinion…..not a job.

How did your experiences at Virginia Commonwealth University and California Institute of the Arts impact your artistic development?

At VCU I decided to study “sculpture” because the Sculpture Department did not restrict sculpture to any working method.  Our critiques addressed:  concept, intent and effect.

At Cal Arts they talked about the audience….who is our audience?  This impressed me.  It did not mean commercial audience but who we imagined we wanted to present our work.

Times spent with other students was just as important as what happened in the classrooms. We were very lucky to be alive when there was such freedom.

  Was there a particular teacher that influenced you?

 Chuck Henry  -VCU

John Baldessari – California Institute of the Arts

Deborah Butterfeild – University of Wisconsin

Warren Moon – University of Wisconsin

Hardeu Keck – Rhode Island School of Design, Rome Campus, Italy

 How would you describe your creative process?

My creative process is something like play.

 What artistic movements inspire you? – They can be visual but also literary movements.

There is not a particular movement although I like art history a lot and literature is amazing. Art is an ancient language that repeats itself so I like to learn from the language of art.

One of my favorite authors is Samuel Beckett……

 

What is it about bronze that appeals to you creatively?

I like bronze because it is both a liquid and solid.

Describe the lost wax casting process?

  • The lost wax process is ancient.
  • Basically one makes a form in wax by direct or indirect means.
  • Then the wax model is placed in a mold.
  • It may be that the wax form need to be broken down into parts and reassembled later.
  • This mold with the wax model is heated and the wax evaporates.
  • Then melted bronze is heated and poured into the mold.
  • Then the mold is removed when bronze has cooled.
  • Parts are welded together.
  • Then the bronze is cleaned and made smooth to the touch.
  • Then color (patina) is applied to the finished bronze by heat and/or chemicals.

When are you working on an idea for a sculpture – how do you begin?

I begin with meditation.

What advice would you give to a young artist starting today?

I would say beware that art is dangerous and ask yourself: If you looked back on your life would you regret not doing what you love?

 

 

 

 

 

 

 

 

 

 

 

Artist Reception Saturday June 23, 2018 2-4PM

We will be holding three artists receptions on Saturday afternoon June 23rd 2-4PM.  Please plan to come and celebrate the summer solstice  with us.

Acquaetta Williams

In the Forum Gallery,  “Without Shadows” by Acquaetta Williams is an exhibition of her dynamic mixed media paintings. Her creative use of vinyl records in the work make the pieces jump of the wall.

 

Bryan Jernigan

In the Passage Gallery, “Peregination” Bryan Jernigan’s paintings are showcase of his explorations and journey through landscapes into abstraction.

 

 

 

Lee_KA_Sveabreen
Katherine Akey

In the Fisher Gallery, “Behind the Silent Hills  displays Katherine Akey’s poetic passion for exploration and the Arctic. Photographs of her trip to the Arctic are displayed with a cyanotype print completed before her Arctic trip.

The Schlesinger Arts Center is on the Alexandria campus of the Northern Virginia Community College. The address is 4915 East Campus Drive, Alexandria, Va 22311. Parking is available in the enclosed garage across from the center.

There will be live music at the opening, refreshments and a performance art piece.

Nine Dragons

Chen Rong. Nine Dragons (detail). 1244. Ink on paper. Boston Museum of Fine Arts.
Chen Rong. Nine Dragons (detail). 1244. Ink on paper. Boston Museum of Fine Arts.

Chee-Keong Kung – Notes on Nine Dragons

“For a long time now, I have been fascinated by Chen Rong’s Nine Dragons from the Southern Song dynasty (13th century). An exemplary work of technical virtuosity and ineffable grace. The brush-and-ink painting depict churning clouds, winds, and waves among jagged rocks while dragons mysteriously appear and disappear amidst the turmoil. Compositionally, there are large swaths of open space and dark shadows, recognizable elements and abstract shapes, and a sense of depth and movement through time. ”

“A small print-out of the painting (actual painting including inscriptions is 50 feet long) hangs on my studio wall as an inspiration and a reminder that the simplest of gestures can transport us to uncommon places. Most recently, I was looking for a way to start a new series of canvases and found that the light-and-dark patterns within the painting worked wonderfully as jumping-off points. The new canvases eventually became the black-and-white works that are currently in the Oblique Horizons exhibit at the Schlesinger Arts Center. ”


Oblique Horizons is on display through June 10, 2018 in the Fisher gallery . The gallery is open Monday through Friday 10-4PM and evenings and weekends during public performances in the wall. Chee-Keong Kung will be at the gallery Sunday May 20th, 2018 from 3-5PM. To find out more about Chee-Keong Kung, Please visit his About The Artist page.

Artists Reception Saturday May 5, 2018 4-6PM

You are invited to join us for a joint reception for our two current exhibiting artists Barbara Frank and Chee-Keong Kung. The reception will be held this Saturday May 5th, 2018 from 4-6PM. Light Refreshments will be served and parking is available in the covered visitor garage across the street from the Schlesinger Center. The address is 4915 East Campus Drive Alexandria, VA 22311.

These are two stylistic different artists who are held together by a passion for movement,  and the mythic beauty in all aspects of the natural world.

For more Information you can visit the Schlesinger Center website.

White Light by Chee-Keong Kung

Under Water Over Sky by Barbara Frank

Conversation with Maroulla – Weds, April 18th, 12:30pm

Please join us for a special weekday conversation with sculptor, artist and current exhibiting artist Maroulla.

TIME: Wednesday, April 18th at 12:30PM

Maroulla’s dedication to her art form – marble and alabaster sculpture is expressed in the focused and passionate nature of her commitment to her art practice. This talk promises to be a engaging and enlightening for all participants. We hope that you can join us “In the Room” with Maroulla! For more about Maroulla’s work visit her ABOUT THE ARTIST page.

We meet on the second level of the Schlesinger Arts Center on the Alexandria Campus of Northern Virginia Community College at 12:30PM.  The address is 4915 East Campus Drive, Alexandria, VA 22311

If you are coming from off campus – There is paid parking – 2 dollars an hour – in the garage across the street from the center. We will have light refreshments. We look forward to seeing you!

Permutations, Oil Paintings by George Kochev

George Kochev - Soft Magnetic StormWe are pleased to welcome the work of George Kochev to the Schlesinger Center – Forum Gallery. He combines an embrace of the tradition of oil painting with an exploration into mathematics and science. By doing so, he creates his own unique visual language. George’s paintings shows us how the creativity required for science and art intersect.

The artist reception is Saturday, March 24, 2018, 4-6PM.