Aram Sinnreich ABSTRACT Hip-hop, perhaps the world’s dominant form of popular music today, emerged organically as an artifact of American vernacular technoculture in the late 1970s. Since its first emergence, the art form has challenged traditional Western conceptions of ownership and authorship, inspiring numerous lawsuits and critiques even as it has risen in popularity and … Continue reading Hip Hop and Copyright: Where Art, Technology and Law Collide→