Tuesday, March, 26, 2024
Lisa Eckstein, conductor
In the company of Don Freund, composer
Dr. Eckstein was the fundamental organizer for this concert, bringing Don and his music to our campus. In addition to the concert there were rehearsals and recordings of the work over many days in 118 and at the Schlesinger Arts Center as well.
The Composer of “Life of the Party,” is Don Freund, who has been described as “a composer thoughtful in approach and imaginative in style,” whose music is “exciting, amusing, disturbing, beautiful, and al- ways fascinating.”
He is an internationally recognized composer with works rang- ing from solo, chamber, and orchestral music to pieces involving live performances with electronic instruments, music for dance, and large theatre works. Freund is also active as a pianist, conductor, and lecturer. He has been conductor or pianist in the performance of some two hundred new pieces. A Professor of Composition at Indiana University Jacobs School of Music since 1992, teaching composition con- tinues to be a major component of Freund’s career. See and hear over 100 works at DonFreund.com
Don was kind enough to begin our evening concert by providing a landscape overview of the work and the various parts.
Our principal soloist for the work is bassoonist, Kim Walker.
Kim Walker has enjoyed a prolific career as bassoonist, educator, senior administrator, author, and speaker on six continents. She is a celebrated soloist and recording artist with 33 CDs on Decca, GALLO, Collins, and Regent labels. In 1985, she was the first woman invited to play principal bassoon in the London Symphony. Kim enjoyed a decade as principal bassoonist performing with leading European orchestras and decades as a chamber musician in major festivals such as Marlboro, Prades, Schleswig-Holstein and the Lincoln Center Chamber Music Society.
Also front and center is Contrabassonist, Spencer Phillips. His part is the second main character of this music opera.
Spencer has been the Principal Bassoonist of the Glimmerglass Opera Orchestra since 1983, and he served as the Principal Bassoonist of Orchestra London Canada from 1995 until its bankruptcy in 2015. Other orchestras of which he has been a member include the North Carolina Symphony, Orquestra Gulbenkian (Lisbon, Portugal), the Michigan Opera Theatre Orchestra, and the Albany (NY) Symphony. Ensembles with which he has performed include the Toronto Symphony, the Canadian Opera Company Orchestra, the Orchestre de la Suisse Romande, and the Palm Beach Opera Orchestra. He is an alumnus of the Interlochen Arts Academy, Duke University, and the Rensselaer Polytechnic Institute; and he has a first prize from the Conservatoire de Musique de Genève.
The rest of the friends are:
Julianna Nickel, flute/Josh Faison, oboe/Nick Thompson, clarinet/Susan Rider, trumpet/James Nickel, French horn/Shannon Gunn, trombone/Wendy Olson Posner, violin/Anna Kong, violin/Gene Pohl, viola/Arana Nelson, cello/Minji Kim, piano/Perry Powdery, guitar/Chris Kosky, bass/Elliott Godinez, percussion/Michael Barranco, Drumset./
Their biographies are below.
The Performance piece: Life of the Party!
Life of the Party (Concerto for Bassoon and 16 Friends) could be described as an instrumental mini-opera with two identifiable layers of musical activity. One layer is the “Party Music,” a series of “songs” in varied vernacular styles which recede into the background to allow the more intimate party “Chats” to be heard. The scenario is this: the bassoon and its date, the contrabassoon, show up at a party, and before long engage in a “Small-Talk Chat” with the other woodwinds — a breezy triple meter against the heavy duple of the “Hard Rock Party Music.” When a new “Gospel Party Music” begins, the bassoon and contra begin an earnest, spirited discussion of religion with the electric piano, later joined by the marimba. This odd mixture of gospel blues, Messiaenic chords, and simulated Gregorian chant yields to the next party music, a robotic “Techno” passacaglia, over which the bas- soon and brass trio engage in a heated debate about politics. This stark tension is replaced by the thick, rich harmonies of the “Posh Party Music,” over which the bassoon and piano (later joined by the flute and clarinet) discuss sports in 16th- note flurries of sinewy athleticism. The string quartet interrupts, advancing some abstract theories of art; the bassoon sympathizes, while “Cool Jazz Party Music” is heard in the background. A sultry “Blues Party Music” follows, with sexy electric guitar riffs that elicit some flagrant flirtation from the bassoon. The contrabassoon is outraged, and retaliates by becoming closely intertwined with the electric bass. A lovers’ spat erupts, a duo-cadenza for bassoon and contra, full of choice multiphonics and other extended effects. During the ensuing “Deep Funk Party Music” the bassoon goes off by itself and has a cry. The contra re-enters, and reconciliation is found in a country-flavored Ballad. All is well; the party ends with a rollick- ing celebration!
Life of the Party was inspired by the incomparably vivacious personality and astounding virtuosity of Kim Walker. — Don Freund
Movements
Party Music 1: Hard Rock / Chat 1: Small Talk (Bn w/Fl, Ob, Cl, Cbn) Party Music 2: Gospel / Chat 2: Religion (Bn w/El Pno, Cbn, Marimba)
Party Music 3: Techno / Chat 3: Politics (Bn w/Tpt, Hrn, & Tbn)
Party Music 4: Posh / Chat 4: Sports (Bn w/Pno, Fl, Cl)
Chat 5: Art (Bn w/String Quartet) / Party Music 5: Cool Jazz Party Music 6: Blues / Chat 6: Flirts (Bn w/El Gtr, Cbn w/El Bs) Duo Cadenza: Break-up (Bn & Cbn)
Party Music 7: Deep Funk / Soliloquy: Broke-up (Bn w/Pno) Ballad: Make-up
Finale: Celebrate!
Biographies of “The Friends”
Julianna Nickel, performer and flute professor at George Mason University, runs Juli Nickel Consulting for aspiring musicians applying to college. https://www.julinickelconsulting.com/
Josh Faison is an oboist who has lived in the Maryland/Virginia area his whole life. He has undergraduate music study at University of Maryland College Park. Josh loves teaching his private woodwind and general music students, and recently has begun engaging in freelance performance opportunities in the area. He also spends his summers working at a music camp in Maine.
Nick Thompson is a versatile musician and educator based out of the Washington D.C. area. He frequently appears as a soloist and chamber musician and has per- formed with the Kennedy Center Opera House Orchestra, Richmond Symphony, and Apollo Orchestra, among many others. Nick holds a BM from George Mason University, and MM from the University of Michigan, and is currently finishing his DMA at the University of Michigan. Nick is a clarinetist with “The President’s Own” United States Marine Band and Chamber Orchestra.
Dr. Susan Rider (trumpet) grew up in Iowa and also lived in Indiana and Texas be- fore coming to Washington, D.C. Among the many groups she has performed with, included are The West Texas Symphony, Spoleto Festival USA Orchestra, New World Symphony, Owensboro Symphony and the Waterloo/Cedar Falls Symphony. Locally she has performed with the Alexandria Symphony, Concert Artists of Baltimore, and the Harrisburg Symphony. Currently, she is a member of the Annapolis Chamber Orchestra, Monarch Brass, Stiletto Brass Quintet, and “The President’s Own” United States Marine Band. Susan received degrees from The University of Northern Iowa (B.M.) and the Indiana University Jacobs School of Music (M.M. and D.M.).
James Nickel is the Acting Associate Principal Horn with the National Symphony Orchestra. He is also Professor of Horn at George Mason University.
Shannon Gunn is the Director of the NOVA Nighthawks Jazz Ensemble, Adjunct Instructor of Jazz Trombone at VCU, and an in-demand freelance jazz trombonist. As a musician, she actively uses her music for social justice causes. In 2015 she co-founded, with local non-profit CapitalBop, the Jazz and Freedom Festival, which has in turn raised funds and support for non-profits such as Empower DC, Black Lives Matter DMV, WPFW-FM, and ICE Out of DC. She is the Artistic/Executive Di- rector of the non-profit Jazz4Justice, which creates collaborative partnerships be- tween the legal community and music community to raise funds for Legal Aid and jazz studies. In 2019, she founded Jazz Girls Day DC to empower young women to pursue jazz without boundaries from gender.
Dr. Wendy Olson Posner holds degrees in violin performance from Indiana Univer- sity (bachelor’s) and The University of Michigan (master’s and doctorate). An avid chamber musician, she was a member of the Denver-based DaVinci String Quartet and a founding member of the Fairfax Chamber Ensemble. Dr. Posner performs with ensembles around the D.C. area and serves as violin instructor at NOVA’s An- nandale campus.
Anna Kong is an active freelancer and teacher in the DMV. She holds both her bachelor’s and master’s degrees in violin performance, with notable teachers being Peter Haase, Jennifer Kim, Zino Bogachek, and Herbert Greenberg. Besides per- forming with ensembles such as the Richmond Symphony, Alexandria Symphony, and more, she also enjoys gigging with her fellow friends in the Kennedy Quartet and teaching young players at the Music Spectrum School for the Arts.
Gene Pohl is a graduate of Ithaca College and Boston University, where she received a master’s degree in viola performance. As a fellowship student at Tangle- wood, she played under Leonard Bernstein and Seiji Ozawa. She has played with the National Gallery Orchestra, the Baltimore Opera, and with various ensembles at Wolftrap, the Kennedy Center, the Warner Theater, Constitution Hall and the Folger Theater. She was principal violist of the Fairfax Symphony for 30 years and currently plays with the Alexandria Symphony.
Ariana Nelson is based in the DC area and is the cellist of the Carpe Diem String Quartet. When not on tour with her quartet, she frequently performs with the National and Baltimore Symphonies and the Washington National Opera. Additionally, she maintains a private teaching studio and is a coach for the Crescendo cham- ber music program and the American Youth Philharmonic. Before moving to DC, Ariana was a member of the Houston Grand Opera Orchestra and served as an adjunct cello professor at Texas Southern University. Originally from Seattle, Ariana studied at Rice University and The Juilliard School.
Dr. Minji Kim, a native of South Korea, is an active soloist and chamber musician who has performed across the United States, South Korea, Czech Republic, and Russia. She has performed at venues such as Hill Auditorium and Detroit Steinway Gallery, and has performed as a soloist with the Ann Arbor Symphony Orchestra. She recently completed her DMA in Piano Performance from the University of Michigan under Christopher Harding, as well as a Certificate of Art Leadership and Entrepreneurship. Dr. Kim is currently a piano faculty member at the Levine School of Music in Washington D.C.
Perry Cowdery is a musician and teacher from the DMV area. They moved to Chicago in 2012, graduating from Columbia College with a B.A. in Composition. With over 15 years of experience playing a diverse range of music and theater in DC and Chicago, they’ve played in many incredible productions including several Chicago Jeff Award Best Musical winners. Recently, Perry has spent two seasons as a musician with The Oregon Shakespeare Festival.
Chris Kosky has been playing double bass and electric bass for more than 40 years and loves playing a variety of musical styles. She has a Bachelor of Music, Jazz and Studio Music (University of Cincinnati, College-Conservatory of Music) and a Master of Music in Jazz Studies (Indiana University). Chris was a member of The United States Air Force Band from 1993-2015, is a life member of the International Society of Bassists, and currently enjoys freelancing and teaching in the Washington, D.C. area. She is the author of a double bass method book called The Thumb Transition Zone.
Elliott Godinez is a Mexican-American musician and educator from Chicago, Illinois. Presently, he is completing a Doctor of Musical Arts degree at George Mason University in the Spring of 2024 while teaching within Fairfax Public Schools. He is a multi-faceted percussionist whose musical expressions have been described as thought-provoking and emotionally charged. Elliott resides in Arlington, Virginia with his fiancee and two dogs.
Dr. Michael Barranco currently resides in Fairfax, Virginia as a multifaceted musician in the fields of performance, education, and instrument repair. As an educator, Michael leads percussion studies at NOVA Community College and teaches K-8 general and instrumental music at Burgundy Farm Country Day School. Additional- ly, he is active in the Northern Virginia community leading percussion programs in secondary schools and summer programs. As a performer, he holds the position of principal percussionist with the American Festival Pops Orchestra and is a regular performer with the IN Series Opera Company. Michael’s research focuses on the timbral qualities of acoustic percussion instruments. Michael is endorsed by Arti- fact Percussion.
A Special Thank You to…
Dr. Hideki Isoda, Guest Lecturer, and
Life of the Party and NOVA Band Recording Engineer
Dr. Annette Haggray, Alexandria Campus Provost
Dr. Jay Steere, Alexandria Campus Dean
Anil Manchanda, Director of Alexandria Campus Operations Kelly Persons & Hannah Irsfeld from the NOVA Foundation Nathan Devonshyre, Rachel M. Schlesinger Concert Hall & Arts Center Assistant Technical Director
Dr. Jonathan Kolm, Professor of Music
Jacob Garbus, Alexandria Campus Music Dept. Instructional Assistant
AND…. of course, Lisa Eckstein!
Dr. Lisa Eckstein (aka “Dr. Ecks”) is an Associate Professor of Music, Band Director, and College-wide Music Dept. Chair at Northern Virginia Community College (NOVA). Under her direction, the NOVA Alexandria Band, a combined college and community ensemble of approximately 80 members, has enjoyed collaborations with renowned professional musicians as soloists, the George Mason University (GMU) Wind Symphony, music faculty from GMU and Radford University, and ar- ea K-12 school music programs. She has spearheaded commissions for new band music from highly acclaimed and up-and-coming composers. In addition to direct- ing the band, she teaches music theory, history, and appreciation classes. In 2023, Dr. Ecks received a NOVA Teacher Recognition Award for outstanding contributions and exemplary performance after being nominated and selected by her NO- VA colleagues. She is active as an adjudicator, guest conductor, and clinician for bands and orchestras. She holds music education degrees from Indiana University (Bloomington, IN) and Temple University (Philadelphia, PA), and a Doctor of Musical Arts degree in Conducting from George Mason University (Fairfax, VA).
Upcoming Performances
NOVA Music Dept. Spring Concert
April 27, 2024 | 7:30pm | Rachel M. Schlesinger Concert Hall Featuring the NOVA Community Chorus,
the Nighthawks Jazz Ensemble, & the NOVA Alexandria Band
NOVA Jazz Ensemble Concert
April 30, 2024 | 7:30pm | Rachel M. Schlesinger Concert Hall Directed by Shannon Gunn, the NOVA Nighthawks, NOVA Jazz Combos, and special guests will perform in celebration of International Jazz Day.
NOVA Symphony Orchestra Concert
May 4, 2024 | 8pm | Rachel M. Schlesinger Concert Hall
Directed by Christopher Johnston
This event is ticketed but free for NOVA students with ID.